1.
Wang Yangming s Hermitage Fantasy in His Middle and Later Years and His Advance-Retreat Principle;
论王阳明中后期的隐逸情结及其进退之道
2.
The Truth Comprehension with Clear Bosom and the Hermit Character--The Feeling Reflecting the Confucianism, Taoism, Buddhism Thoughts;
澄怀观道 隐逸人格——亦儒亦道亦佛的山水情结
3.
From Spirit of Poor Poets to Secluded Feeling:on the Feeling Vicissitude of Poets Followed Jia Dao in the Late Tang Dynasty and the Five Dynasties;
从寒士精神到隐逸情怀——晚唐五代学贾岛一派诗人思想境况的变迁
4.
MIND AND EMOTION OF THE LATE TANG FORM SECLUDED POETS IN THE EARLY SONG DYNASTY;
孤高傲世的绝世风神——宋初晚唐体隐逸诗人的思想情怀
5.
The Birds Flying to Different Places;
鸟儿飞往不同的地方——海子的隐逸情怀兼与陶渊明之比较
6.
The Desire to Natural Life--A Brief Account on the Thoughts about the Book Xiyou Ji;
情陶山水 意慕渔樵——摭谈《西游记》诗词中的羡隐乐逸思想
7.
Evolution of “Yi” from Retired Personality to Aesthetic Category;
“逸”从隐逸人格向审美范畴的演进
8.
On Chinese Reclusive Thought and Chinese Reclusive Literature in Pre-Qin Period and the Han Dynasty;
先秦隐逸思想及先秦两汉隐逸文学研究
9.
Comparison of Poems Between Ten Talents in Dali Period and Poets in Seclusion;
大历十才子与方外隐逸诗人之隐逸诗比较
10.
The main characteristic of retreating from the reality can be reduced to one word - “reclusion”.
“隐逸”的主要特点可以归纳为一个字:“隐”。
11.
The main character of the hermit can be concluded in one word--hiding. The hermits in the Han Dynasty are referred to those who were far away or avoided from social reality.
“隐逸”的主要特点可以归纳为一个“隐”字。
12.
Interest and Leisure in the Transformation from Gumption to Withdrawal
“进击”向“退隐”转型中的“趣味隐逸”
13.
The Confucian Poets Spirit of Living in Seclusion--Probing the State of Mind and the Culture from Du Fu s Poems in Caotang Times;
隐逸中儒家诗人的生命情态——杜甫草堂时期诗歌所体现的心态与文化探析
14.
Poetry Creation and Moon Complex of Li Bai;
文星邀月诗千首 酒仙飘逸万川游——略论李白的诗歌创作与“月之情结”
15.
A Comment on ZHOU Zuo-ren s Reclusive Tendency During 1920s and 1930s;
“隐逸”的一种限度——试论20世纪20-30年代周作人的“隐逸”转向
16.
On Pu Songling s Deep Banter Consciousness--Studying from Liaozhaizhiyi;
从《聊斋志异》看蒲松龄的谐隐情结
17.
The Love Knot to the Han Dynasty and LI Shang-yin s Poems;
唐代诗人的“汉朝情结”与李商隐的诗
18.
From the Petty to the Great and to the Middle in Reclusion-the Evolution of the Reclusion Conception and Its Cultural Implication;
从小隐、大隐到中隐——论隐逸观念的递嬗及其文化意蕴