1.
The content of TuDi Ge has characteristics of three respects mainly: i) flattering host;
土地歌的内容主要有三个方面的特点：(一)以谀词博主人欢；
2.
The Paean of Soil--The significance of soil in Gone With the Wind
土地的赞歌——试析《飘》中土地的意义
3.
Eulogize the Earth Recording Pottery Clay Sculptor, Mr. Zheng Huoshi
讴歌大地 记陶土雕塑家郑火石先生
4.
Shining Black Vast Land--On Esthetics of Ly-yuan s Poetry;
辽阔的黑土地——绿原诗歌美学论略
5.
The features of the revolutionary folk songs during the period of the Agrarian Revolution in Dabieshan Area;
大别山土地革命时期革命民歌的特征
6.
On the Tu Folk Songs in Hehuang Nationalities Inhabited Area of Qinghai and Gansu Province;
青海、甘肃河湟地区民族杂居地土族民歌研究
7.
Other people would like America's national song to be This Land is Your Land.
另一些人希望《这片土地是你的土地》成为美国国歌。
8.
On the damp land, I guide verse and the object of Ai Hao.
在潮湿的土地上，我引领诗歌和哀嗥的物体。
9.
An Analysis on the Artistic Characteristics of Lu Zai-yi's Art Song "I Love This Land"
陆在易艺术歌曲《我爱这土地》艺术特征浅析
10.
A Love Song to Country Flavor;
乡土恋歌——周同宾散文集《情歌·挽歌》论
11.
He could play and sing that one, and he hummed the words to himself as he left behind the place with giant red holes in the earth.
他会弹唱这支歌,他离开这到处挖着巨大红土坑的地方时哼着这首歌词。
12.
Wailing songs in wedding were once the popular lyric folk songs of Tujia people and the bride's right of utterance.
哭嫁歌曾是土家族地区风行的抒情性仪式歌谣,是新娘在哭嫁仪式中拥有的话语权。
13.
merry songsters singing carols
欢乐地唱着颂歌的歌手.
14.
The Women s Culture,Role Mentality and Life History--A Survey of the Wedding Lament of the Tujia Nationality in the Three Gorges Region;
女性文化、角色心理与生命史——湖北三峡地区土家族哭嫁歌研究
15.
From A Poet of Playing the Reed Flute to A Conscientious Singer for the Times--After Reading Ai Qing s I Love The Land;
从吹芦笛的诗人到自觉的时代歌唱者——读艾青的《我爱这土地》
16.
Spirits of the Land and Water--On the Reasons of the Differences between Central and SouthernChina Fock Songs According to Regional Cultures;
浑实的土味与空灵的水韵——从地域文化谈中原江南民歌差异的成因
17.
An Idealist s Song of Life──A comment on Liang Xiao-sheng s “Land of Wonders”;
理想者的生命之歌──梁晓声的《这是一片神奇的土地》
18.
Due to My Deep Love for This Land--On Ai Qing’s Later Poetry Esthetic Pursuing
因为我对这土地爱得深沉——简论艾青后期诗歌的美学追求