1.
Economic View On Chinese Traditional Drama Evolution In Process of Modernization--Taking Han Drama And Chu Drama As Examples;
近代传统戏剧演进过程的经济学解读——以汉剧、楚剧等为例
2.
exquisite pain [pleasure]
剧烈的痛楚 [愉快的极致]
3.
The Tragically Heroic Spirit of Chu A Trial Comment on Chu Culture′s Tragic Characteristic;
悲壮的楚魂——试论楚文化的悲剧性特征
4.
The Interpretation of Chu Culture in Luzhou Opera--Taking "Xiu Ding Xiang" as a typical case;
庐剧中的楚文化阐释——以《休丁香》为个案
5.
QU Yuan s Li Sao s Renovation on Dramatic Factors of Chu Ci;
论屈原《离骚》对楚辞戏剧因素的改造
6.
Tragicomedy of Chu Huai Wang and Its Causes;
楚怀王生前身后的悲喜剧及其原因分析
7.
From 反离骚 to 剧秦美新--Two long-standing mistaken ideas in Collected Commentaries on "The Songs of the South";
从《反离骚》到《剧秦美新》——《楚辞集注》的两个误区
8.
Grief Motif in CHU-culture and Its Influence to QU Yuan;
从精卫、庄子到屈原:楚文化中的悲剧母题
9.
The Researchment on and Scholars' Tragic Spirit in the Chu Culture
《庄子》与楚文化背景下的士人悲剧精神研究
10.
Edmund's first object the next morning was to see his father alone and give him a fair statement of the whole acting scheme.
埃德蒙第二天早晨的第一件事就是去和父亲单独谈话，清清楚楚地把整个演剧计划告诉他。
11.
On hearing her voice he felt a keen, physical pain at his heart.
一听到她的声音，他心头便觉得有一阵剧烈的痛楚。
12.
The context of that scene clearly indicated that the former was talking about having a drink before going to bed.
那一幕的剧情清楚地显示，前者所指的是一杯睡前的饮料。
13.
The reason for this drastic change in temperature is not known yet. It's unusually cold for a spring day in San Diego.
天气剧变的原因还没弄清楚。但圣地亚哥的春天这么冷很不寻常。
14.
The whole school knew every detail of this made escapade.
全校对这场疯狂的恶作剧的全部细节知道得一清二楚。
15.
The Evolution Trace of Chinese Ethic Plots Film Creati on--From Zheng Zheng-qiu and Cai Chu-sheng to Xie Jin;
中国伦理情节剧电影创作的演变轨迹——从郑正秋、蔡楚生到谢晋
16.
On the Tragic Sense of Classical Mythologies of Chu Area;
崇高与悲壮 理想与抗争——试论楚地古典神话的悲剧性
17.
You figure it out, you realize that life isn't some elaborate stage play with directions for the actors. Life is a mess. It's chaos personified.
你向清楚，了解人生并非一剧细腻编排的舞台剧。人生一团糟，原本就是混沌无常。
18.
A Comparison Between the Two Versions of "Chu Zhao Wang Shu Zhe Xia Chuan"--A discussion of Zang Maoxun's "Adeptness" in the Adapt of Yuan Dynasty Scripts
《楚昭王疏者下船》两种刊本比较——兼谈臧懋循“当行”理论在杂剧剧本改编中的体现