1.
The Evolution of Aesthetic for Nature from Shijing to Chuci;
《诗经》至《楚辞》山水审美意识之演进
2.
Development of His Aesthetic Conception in Liu Zongyuan s Landscape Writings;
柳宗元山水文学审美意识的心路历程
3.
Cavalier Perspective of Chinese Landscape Painting under the Aesthetic of the Implied Sense
散点透视下中国山水画所蕴含的审美意识
4.
The Space Impression of Classical Chinese Scenery Poems;
论中国古代山水诗审美意境的空间感
5.
On Aesthetic Images in Du Fu’s Landscape Poems:Being High, Huge, Profound, Marvellous and Magical;
高·大·深·奇·神——杜甫山水诗审美意境探微
6.
The Cultural Comprehension and Esthetic Aroma of the Landscape Painting Poem in Tang Dynasty;
唐代山水题画诗的文化内涵与审美意蕴
7.
On the Historical Development and Appreciative Significance of Texturing Method of Chinese Landscape Painting;
试论中国山水画皴法的历史演变和审美意义
8.
On the Aesthetic Characteristics and Realistic Significance of Landscape Paintings by LUO Ming;
论罗铭中国山水画写生的审美特征和现实意义
9.
On Aesthetic Characteristics of the Landscape Poem and It to the Meaning of the Tour Construction;
论山水诗的审美特性及其对旅游建设的意义
10.
On Aesthetic Mood of Rocks and Water in Chinese Classical Gardens;
中国古典园林中山石与水体的审美意境
11.
Analysis of the Esthetic Conception and Construction Theory of Chinese Traditional Landscape Paintings;
探析中国传统山水画意境审美及创构理念
12.
Taking the Poets Tao Xie and Wang Meng s Poetry as a Model to See the Influence of Beauty Admiration over the Formation of Mood in Poems of Mountains and Waters;
从陶谢王孟看审美情志对山水诗意境的影响
13.
Modern Interpretation of Natural Beautyfrom the Natural Beauty in Ancient Chinese Landscape Poetrye;
自然美的现代意义——从中国古代山水诗中的自然审美谈起
14.
Significance of "Instant Aesthetic Invigoration" in the Formation of Poetic Image in Mountain-water Poetry;
从“有句无篇”到“兴象玲珑”——“当下”的审美感兴对山水诗意境创构的意义
15.
The Unification of Aesthetic Consciousness and Moral Consciousness of the Lament;
《离骚》审美意识与道德意识的统一
16.
Aesthetic Standard along with Totem Worship --Further Discussion of Chinese Primitive Aesthetic Standard (III);
与图腾意识共生的审美意识——中国原始审美意识再探讨(三)
17.
Literators Dream and Their Love for Nature--On Aesthetic Implication of Modern City Gardens in China;
文人梦与山水情——论我国现代城市园林的审美意蕴
18.
On Aesthetic Generation and Levels of Beauty in Guilin Scenery --also on Subjective Conditions of Scenery Appreciation;
试论桂林山水美的审美生成及其层次——兼谈山水审美的主体条件