1.
Drama Passes for History: Composition of Historical Dramas by Literati in Ancient China;
以曲为史:中国古代文人的历史剧创作
2.
Adverse Phenomenon in the Climax of Historical Plays --Retrieval of Contradictory Phenomenon in the Creation of GUO Mo ruo s Historical Plays;
史剧高峰中的逆现象——郭沫若历史剧创作的矛盾现象检索
3.
On Feminist Nararation from the Perspective of History--ON Chinese Contemporary Female Chronicle Play;
历史视野下的女性言说——试论新时期以来女性历史剧创作
4.
The spirit of history and artistic Conception;
历史精神与艺术构想——论郭沫若历史剧创作的心理特征
5.
Popular Aesthetics and the Creation of History Plays by Ancient Artists;
略论大众审美与古代艺人的历史剧创作
6.
Guo Moruo s Artistic Feature Observed from Three Lady Rebels;
从《三个叛逆的女性》看郭沫若历史剧创作的特点
7.
On Form and Feature of the Language of Female Characters in the Writing of Historical Plays in 17 Years
论17年历史剧创作中女性话语的形态与特征
8.
On Character Portraying in TIAN Han’s Play 《GUAN Hanqing》;
田汉剧作《关汉卿》人物塑造论——兼评当代历史剧创作存在的问题
9.
On The Model Significance of The Palace of Eternal Life and The Peach Blossom Fan in the Creative Patterns of Historical Plays;
论《长生殿》、《桃花扇》在古代历史剧创作中的典范意义
10.
Wonders out of Different Approaches but Equally Satisfactory Results--Comparison of Historical Dramas written by Guo Moruo and Yang Hanshen;
异曲同工 各呈其妙——郭沫若、阳翰笙历史剧创作思想比析
11.
On the Weakpoints of Jiangxi s Revolutionary Dramatistsin the Last Two Decades of the 20th Century;
简论20世纪八九十年代江西革命历史剧创作之缺失
12.
Research of the Scholar Authors Psychology in Writing Historical Dramas in Yuan Dynasty;
元代历史剧文人作者的创作心态蠡测
13.
History is Written Video:Comment the Creation of the Movie and Television Play in Recent Years;
历史的影像化书写——评近年来影视历史剧的创作
14.
Historical and Social Backgrounds for Shakespeare s Play Creation;
莎士比亚戏剧创作的历史与社会背景
15.
On the Principles on Which the Creation of the Main Characeters in Shakespeare s History Plays Is Based;
论莎士比亚历史剧主人公的创作原则
16.
Destiny and Mental State of the Men of Letters in a Certain Era;
一代文人的命运心曲——论元代历史文人剧的创作
17.
The Study on the Succession and Development of the Music of Min Opera from Creation in Music of the New Chronicle Opera of BianGuan Ji and LanHua Fu;
从新编历史剧《贬官记》、《兰花赋》的音乐创作看闽剧音乐的继承与发展
18.
The Historial Feeling of Nation and the Cultural Position of Common People;
民族历史情结与民间文化立场——李昌旭剧作文学创作论稿