1.
Different Words for Similar Purpose--A comment on the opera reformations of Gluck and Mozart;
言于异而求于同——评格鲁克和莫扎特的歌剧改革
2.
On Mozart s Contribution to Opera and the Reflection on the Status Quo of Opera in Our Country;
论莫扎特的歌剧贡献及其对我国歌剧现状的思考
3.
On the Histrionic of Mozart Opera;
论莫扎特歌剧音乐的戏剧性——以歌剧《魔笛》为例
4.
Mozart and Da Ponte s "Complex of Opera Buffa";
莫扎特与达·庞特的“喜歌剧情结”
5.
The Artistic Charm in Mozart's Opera Magic Flute
浅析莫扎特歌剧《魔笛》的艺术魅力
6.
Research on the Relation of Music and Drama in the Ensemble of Mozart's Operas
莫扎特歌剧重唱的音乐与戏剧关系研究
7.
The Relation between Music and Drama in Mozart's Operas-Manuscript of"Relation between Music and Action in Mozart's Operas"
莫扎特歌剧中音乐与戏剧的关系——《莫扎特歌剧重唱中音乐与动作的关系》读后札记
8.
The Characterization Genre and Singing Style of Mozart s Opera: Die Zaubrfl(?)te;
莫扎特歌剧《魔笛》的体裁特点和演唱风格
9.
The Initial Study on the Artistic Features of an Opera of Mozart--The Marriage of FEIGARO;
莫扎特歌剧《费加罗的婚礼》艺术特征初探
10.
As a composer of opera Mozart still remains pre-eminent.
莫扎特作为歌剧作家，至今仍占有突出的地位。
11.
On the Four Types of Aria of Sopranos in Mozart s Operas;
论莫扎特歌剧中女高音咏叹调的四种性格类型
12.
Analysis of Pamina s Aria in Die Zauber flute;
莫扎特歌剧《魔笛》中帕米娜的咏叹调分析
13.
The Value of Mozart Opera Arias in Practice of Vocality
莫扎特歌剧咏叹调在声乐训练中的价值
14.
As an outstanding opera master, Mozart composed pure and beautiful music, and the drama in the opera is more creative.
作为杰出的歌剧大师，莫扎特不仅写下了纯美的音乐，其歌剧中的戏剧性更有创造意义。
15.
Study on Carubino's Artistic Image Shaping on Mozart's Burletta
莫扎特喜歌剧《费加罗的婚礼》中凯鲁比诺艺术形象的塑造
16.
The Analysis of Singing《the Marriage of Figaro》《Don Juan》《the Magic Flute》from Mozart's Opera by Baritone
莫扎特歌剧《费加罗的婚礼》、《唐璜》、《魔笛》中男中音的演唱分析
17.
The Esthetics of Opera in The Context of Chinese Culture--Start from La Finta Giardiniera Performed in East China Normal University;
中国文化语境下的歌剧美呈现——由华维版莫扎特歌剧《假园丁》演出谈起
18.
the first Mozartian opera to be subjected to this curious treatment ran dispiritedly for five performances.
莫扎特的第一部歌剧遭受到了吹毛求疵的批评，但仍在垂头丧气地争取第五次的表演机会。