1.
From Irony to Identification--From Perplexity to Detachment--An analysis of the mutual struggle and combination between the narrator and narrated subject in Qi Wang ;
《棋王》中叙述者与叙事主体的相互较量与融合
2.
The Implied "Absence"--An Interpretation of the Phenomenon of Caddy s Absence as a Narrator;
“空白”的意指——凯蒂叙事主体缺位现象意义阐释
3.
Analysis of the Differences of Narrative Subject-text Relation in Feature Stories and Fictions;
特稿与小说中叙事主体和文本关系差异的剖析
4.
On the Subjective Similarity of Woman Literature and the Poor People Literature
女性叙事与“底层叙事”主体身份的同构性
5.
Recuperation of Man──Making the Author Function;
人的复归──叙事文学创作主体的重建
6.
A cognitive approach to the semantic analysis and dialogic implications of self splitting in reminiscent narratives;
回忆性叙事叙述主体分裂的认知语义暨对话意义分析
7.
Decomposition and Reconstruction: On Cubism Narrative of Absalom, Absalom!
分解与重构：《押沙龙，押沙龙！》的立体主义叙事
8.
Discuss on the Narrative Art of Cubist in Faulkner s Absalom,Absalom!;
福克纳《押沙龙,押沙龙!》的立体主义叙事艺术
9.
The Uncertainty of the Subjectivity and Its Influence on Modern Absurd Narrative in China;
主体意识的不确定性与中国现代荒诞叙事
10.
On Women s Subject Consciousness and Narrative Skills in "Pride and Prejudice";
论《傲慢与偏见》女性主体意识与叙事技巧
11.
The Influences of Aesthetic Subject on the Mode of Artistic Narration;
审美主体的发展对艺术叙事模式的影响
12.
The Literati Consciousness s Prominence--A Discussion on Narrative Intervention of Li Yu s Novels;
主体的凸显——李渔拟话本小说“叙事干预”略议
13.
Subjectivity of Narrative Discourse in Shen Congwen s Novels and Inheritance of Miao Culture;
苗文化传承与沈从文小说叙事的主体话语权利
14.
The Relationship between the Grand Narrative of Seventeen-year Literature and Author Subject
十七年文学宏大叙事与作家主体的关系
15.
On the Cubist Multi-perspective Narrative of Absalom,Absalom!
论《押沙龙,押沙龙!》的立体主义多视角叙事
16.
Understanding and Translating the Implied Visual Senser in Hong Lou Meng
《红楼梦》隐含视觉主体叙事学解析与翻译
17.
The Subjectivity Crisis of Peer Gynt from the Perspective of Narration Truth
从叙事真实视角论培尔·金特的主体危机
18.
The Fictitious Ego--On the solipsism of the aesthetic subject and the subjectivity of the narrative content of the Van-Guard Novel;
虚伪的自我——先锋小说审美主体的唯我主义与叙事内容的主观性