1.
Lolita: Interpretative Fable of Nabokov s View on Aesthetics and Art;
《洛丽塔》：纳博科夫美学观与艺术观的寓言阐释
2.
Buddhism and China s Aesthetics--With a Note on the Chinese s Outlook on the World,Nature and Art;
佛教与中国美学 兼论中国人的宇宙观、自然观、艺术观
3.
Poe s Aesthetic Perspectives of Beauty in Art, Life and Death;
论爱伦·坡的美学观中艺术、生命与死亡之美
4.
On Developing Aesthetics of Vividness and Bold Outline in Traditional Chinese Painting;
中国绘画艺术传神与写意的美学观和时代演进
5.
Discussion the Aesthetic Views of Art and Nature of"the Entrust Drift with Thing" and "Unity and Coherence Form Nature "from Sushi;
谈苏轼“随物赋形”与“自成文理”的艺术自然美学观
6.
Traditional Features of Calligraphic Art and Views on Esthetics of Calligraphy;
书法艺术的传统特质与书法美学的文化观照
7.
On Literary Aesthetical Views of "Contrast of Beauty and Ugliness" and "Taking Ugliness for Beauty";
论“美丑对照”与“以丑为美”的文艺美学观
8.
Plight of Life and Rescue of Art--On Nietzsche s Aesthetic View;
人生的困境与艺术的救赎——尼采的艺术美学观刍议
9.
The Natural Aesthetic Theory of Zhuangzi and The Soul of Chinese Garden Art;
庄子的艺术审美观与中国园林艺术精神
10.
Aesthetics Methodology and Artistic Nature Viewpoints --Aesthetic Nature of Art through the Eastern and Western Classical Aesthetics;
美学方法论和艺术本质观——从东、西方古典美学看艺术的审美本质
11.
Zen and aesthetic standards of Chinese and Japanese traditional arts
禅宗与中国和日本的传统艺术审美观
12.
To Attain Knowledge by Investigating Things:Neo-Confucian Epistemology and Aesthetic Concepts of Literature and Art;
格物致知:理学认识论与文艺审美观
13.
Aesthetic Traits of Chinese Art Seen through the Aesthetic Concepts of Confucianism and Taoism in the Pre-Qin Period;
从先秦儒道的美学观念看中国艺术的审美特征
14.
Musical Beauty & Gesamtkunstwerk form Viewpoints of Formal Aesthetics
从形式美学的观点看音乐的美和整体艺术作品
15.
A New Interpretation of Marxist Artistic Ideal and Human Reality;
艺术理想与人类现实——马克思主义美学观的新解读
16.
Being against the traditional views of aesthetics and art, modern art brought into being the new aesthetics and art language.
现代派艺术在反对传统审美观和艺术观的基础上,形成了新的美学和艺术语言。
17.
On the Art Aesthetic and Objective Judgment of Sport Aerobics;
竞技健美操的艺术审美与客观评判研究
18.
Alarm on Loss of Subjectivism: Feng Zi-kai's View of Art and Science
对主体性失落的警惕——丰子恺的艺术观与科学观