1.
On Five Functions of the Rubbings from Stone Inscription in Calligraphy Teaching
试论碑帖在书法教学中的五大功能
2.
his works are combinations of northern stone tablet inscriptions and southern hardwood calligraphy.
可谓融碑帖于一炉，形成他独特的书作。
3.
His view on calligraphy is that Bei (tablets ) should be combined with Tie( books containing models of handwriting) in practice.
他的书法见解,是鲜明的 碑帖融合的实践观念。
4.
A Study of Zhao Zhiqian s Calligraphy Characteristics and Art Features;
从碑帖融合看赵之谦的创作个性和艺术特色
5.
Denoising, Contour Fitting and Texture Modeling for Calligraphic Tablet Images;
书法碑帖图像去噪、轮廓拟合及纹理建模研究
6.
Shen Yinmo s calligraphy in the transition from stone inscription rubbings to copying models of handwriting;
民国初期碑帖转换氛围中之沈尹默书艺
7.
The Difficulty and Realistic Choices of the Library Inscription Rubbing Arrangement in China
国内图书馆碑帖整理面临的困境及其现实选择
8.
Study on Present Situation and the Countermeasures of Inscription Rubbing Arrangement of Library in China
国内图书馆藏碑帖整理现状与对策研究
9.
Research on Mr.Qigong s Evaluation about Rubbings during Previous Dynasties according to His Book One Hundred Quatrains about Chinese Calligraphy and His Annotations;
从《论书绝句百首》及其自注看启功对历代碑帖的评析
10.
calligraphy on stone tablets and that on hardwoods.
一为碑系，一为帖系。
11.
In stone tablets with book models, he, by comparison, re-examines the artistic value of tablet carving and calligraphy;
在碑、帖问题上,他通过对二者的比较重新审视碑刻书法的艺术价值;
12.
From the Song to the Qing Dynasty, the two Chinese calligraphy systems, the northern stone tablet calligraphy and the southern hardwood calligraphy, developed along separate lines.
书坛上自宋代至清代，即由南北书派到帖学碑学的对应。
13.
"Ira the Ithrite, Gareb the Ithrite,"
以帖人以拉,以帖人迦立,
14.
Outset (Outset): The folded section or item of promotional material wrapped round the host section.
包帖:包着主帖的书帖或宣传材料。
15.
"and Dilan, and Mizpeh, and Joktheel;"
底连，米斯巴，约帖，
16.
A monument commemorating the dead.
墓碑纪念死者的纪念碑
17.
Bolt: Any folded edge of a section other than the binding fold.
摺口:在一帖内，除帖脊外的屈摺部份。
18.
Wrap round: To place colour pages around signatures before sewing.
包帖:锁线前,把彩页包套着书帖的情况。