1.
The Hermeneutics Sense of Chinese Traditional Flavor Criterion;
中国传统“以味论诗”的解释学意义
2.
By the Songs You can Stir,You can Consider,You Express Fellowship,You can Show Resentment;
“诗可以兴,可以观,可以群,可以怨”——孔子诗论的解释学意味
3.
On the Development of Theory of Poetic Flavor by Sikong Tu′s "Essence beyond Flavor"
论司空图“味外之旨”对诗味论的发展
4.
From "Poetry Taste" to"Ci Taste"--A Tentative Study on CHEN Ting-zhuo's Ci Theory
从“诗味”到“词味”——陈廷焯的词学理论初探
5.
On the Changes of the Background of Poetry in Song Dynasty;
用诗·品味·赏玩——论宋代诗学背景之转换
6.
Poetry with Aethetics, Poetry of Inscripting History--New Views on the Poetry of Mao TseDong;
以美铸诗 以诗证史——毛泽东诗词新论
7.
Tasting Chan Sect--Talking About the Chan Tasting of Zong Baihua Personality,Aesthetic and Poems;
体味“禅”“宗”——论宗白华的人格、审美、小诗的禅味
8.
The Natural Flavor in the Poetry of the Song Dynasty and the Relative Theories;
宋诗的平淡风格与宋代的诗味理论——中印诗学理论微观比较研究
9.
"Tone" and "Taste"--On the Aesthetic Quality of Poetic Life
“味”与“趣”——试论诗性生命的审美质性
10.
On the Philosophy in Feng Zhi s Poem from Fourteen-row Poetry Collection;
论冯至《十四行集》诗中的哲理意味
11.
Discussing Chinese Classical Poetry from“Significant Form”;
从“有意味的形式”论中国古代诗歌
12.
Qi,Yuan and Ziwei;
气·怨·滋味——略论钟嵘《诗品》“怨”的美学意义
13.
On the Practice of Commenting Poem with Poem in the Critical Punctuation of "Poetry" in Late Ming Dynasty;
试论明末《诗经》评点中的以诗评《诗》
14.
Poetics in The Tyger--A New Reading to The Tyger by Blake;
以诗论诗——对布莱克诗作《老虎》的新解读
15.
Considering Poetry Is Just Like Considering Chan--An Analysis of Yan Yu s Methodology of "Considering Poetry as Chan";
论诗如论禅——严羽“以禅喻诗”方法论辨析
16.
The article outlined the evolution of the approach, demonstrated its aesthetic meaning, and revealed its cause of aesthetic feelings.
文章勾勒了以“味”论诗的嬗变轨迹，阐明了其美学意义，揭橥了其美感成因。
17.
Also on the Characteristics of Poetry of Song Dynasty--Some Thoughts “Poetry with Wording, Argument and Scholarship”;
也论宋诗特点——关于“以文字为诗,以议论为诗,以才学为诗”的若干思考
18.
On the Original Meaning of Poetry and Commentary on the Book of Songs and Preface to the Book of Songs -Reviewing Commentary on the Book of Songs and Preface to the Book of Songs with the Example of Guan Ju;
诗本义与《诗论》、《诗序》——以《关雎》篇为例看《诗论》、《诗序》作者