1.
The Mutual Effection about Han Dynasty Lacquer Ware and Han Various Arts;
论汉代漆器与同时代艺术的相互影响
2.
Han Dynasty lacquer ware mainly used black and red colors.
汉代漆器也是以黑红为主色。
3.
Lacquer ware reached its heyday in the Han Dynasty and more lacquer ware products emerged.
汉代是漆器的鼎盛时期。漆器的品种又增加了
4.
after the Han Dynasty, the variety of lacquer ware increased,
夏代之后，漆器品种渐多，
5.
Research on the lacquered techniques adopted by the urushiware excavated from the Fangwanggang site in Anhui of West Han Dynasty;
安徽巢湖放王岗出土西汉漆器漆膜测试分析
6.
Research on techniques of two wooden body urushiwares from Dongyang tombs at Xuyi city of the East Han Dynasty
盱眙东阳汉墓两件木胎漆器髹漆工艺探讨
7.
The Functional and Aesthetic Research of Chuhan Lacquer Design;
楚汉漆器设计的功能性与审美性研究
8.
On the Formation and Connotation of"Red and Black"Colors of Qin and Han Dynasty Lacquerware
秦汉漆器“红、黑”色彩的形成与内涵
9.
As an important cultural carrier of Han Dynasty, the craft and art level of lacquer ware reside the head of other handicraft industry.
漆器作为汉代重要的文化载体,其工艺和艺术水平居各类手工业之首。
10.
Research & Discovery on Modern Lacquerwork Design--Lacquerwork "Serious Machine" Design Report;
现代漆器设计语言实践与探索——漆器“器系列”设计报告
11.
Packaging Design Idea of Lacquerware in Han Tombs at Mawangdui
马王堆汉墓日用漆器中的包装设计理念
12.
From Phoenix to Mist-The Research about Pattern Alteration of Lacquer Wears during Warring States and Han Dynasty Period;
论从凤鸟纹到云气纹：战国两汉漆器纹饰的流变
13.
Warring States and Western Han Lacquer Wares Unearthed in Hubei and Recently Acquired by the Palace Museum;
故宫博物院新入藏的湖北出土的战国、西汉漆器
14.
Bone-and-stone inlaying technique, which is a traditional kind of lacquerware, was created by Zhou Zhu of the Ming Dynasty.
骨石镶嵌工艺，为明代漆器艺人周著所创，是漆器传统品种。
15.
The Fascination of the Handcraft / Analyzing the Characters of Modern Lacquer
手工的魅力——浅析现代漆器的特征
16.
A study of a classic work on lacquer in ancient China;
我国古代漆器的经典著作——论《髹饰录》
17.
Marks on Lacquer Articles Produced by the Ming Imperial Workshops and Their Authentication;
明代御用监造漆器的款识及伪款辨识
18.
The radiation discussion of lacquer on modern design for decoration
传统漆器色彩对现代包装设计的影响