1.
Research on Chinese Folk Singing Theory:On "Correct Pronunciation and Tone";
中国民族声乐理论之研究:“字正腔圆”的认识
2.
On the "Sentiment, Sound and Charm" of Chinese;
论中国民族声乐艺术之“情、声、韵”
3.
The Scientific Theory of Using "Bel Canto" for Reference in Preserving the Charm of Folk Vocalism;
在保存民族声乐传统韵味中借鉴美声唱法的科学理论
4.
The Effect of "YUE FU CHUAN SHENG" on the Contemporary National Vocal Singing;
试论《乐府传声》对当代民族声乐演唱的借鉴意义
5.
Query to "National Vocalism" and Thoughts on National Vocal Music Reform;
“民族唱法”质疑——兼论民族声乐改革的思路
6.
On the function of the body language in folk song singing;
略论民族声乐演唱中肢体语言的功能
7.
On Teaching Method of Folk Songs in the Vocal Music Teaching;
浅论声乐教学中民族唱法的教学方法
8.
Discussion Now Chinese Nationality Vocal Music Multiplex Development
试论当今中国民族声乐的多元化发展
9.
On the Differences between Bel Canto and Folk Singing in Vocal Music Teaching;
论高职声乐教学中美声和民族唱法的区别
10.
On Position and Roles of Local National Music Institutions in the Building of Diverse National Vocal Music in Our Country;
论地方民族音乐院校在我国民族声乐多元化建设中的地位和作用
11.
On Influence of Wang Zhixin Folk Songs on National Vocal Music Development;
论王志信新创民歌对我国民族声乐发展的影响
12.
On the Tone System with Different Nationality Scale
论音体系与各民族的音阶——兼论世界民族音乐在乐理教学中的定位
13.
The Application of the Psychology of Vocal Music Art to the Vocal Music Education of Ethnic Students;
声乐艺术心理学在少数民族学生声乐教学中的运用
14.
Moder Folk Vocality and Teaching Theory;
在继承与借鉴中开花—现代民族声乐及教学论
15.
Nationality of Zhao Yuanren s Vocals and It s Singing Expression;
论赵元任声乐作品的民族性与演唱表达
16.
On the Singing of National Music Learning Scientific Methods Means Losing Its Unique National Style?;
论民族声乐演唱学习了科学方法就失去个性吗？
17.
The Diversity of Singing Style of Contemporary National Vocality Works;
论当代民族声乐作品演唱风格的多样性
18.
On China s National Vocal Music Cultural Heritage and Promotion;
论中国民族声乐文化底蕴的传承与弘扬