1.
The Artistic Spirit and Modernization of the Chinese Traditional Opera: An Exploration of Zhang Geng’s Aesthetics;
戏曲艺术精神与戏曲现代化——张庚戏曲美学思想初探
2.
Aesthetic Ideal of Traditional Operas On Emphasizing Inherent Qualities--Part of research in Xu Wei’s aesthetic ideology in traditional opera;
“每右本色”的戏曲审美理想——徐渭戏曲美学思想研究之一
3.
Analyzing the Aesthetic Thought on Drama in Zhou Ang's Zengding Jinpi Xixiang
周昂《增订金批〈西厢〉》戏曲美学思想评析
4.
Simple and Grandeur: the Aesthetic Style of Opera in Yuan-Ming-Qing Dynasties;
素朴与华丽：元明清戏曲美学风格嬗变研究
5.
A Reflection upon Zhang Geng s Aesthetic Ideas on Chinese Operas;
难以走出的西方戏剧美学强势话语语境——对张庚戏曲美学思想的反思之一
6.
On Relation between Vocal Music Technique of Drama and Aesthetics;
论戏曲教学中戏曲声乐技巧与审美的关系
7.
Emphasizing the Unique Ideas of Time and Space in Traditional Chinese Opera -Following A Jia s Aesthetic Theories and Ideas;
重视戏曲的独特的时空观——学习阿甲的戏曲理论和美学思想
8.
Esthetics Thought on the Nv Xiaosheng Art in Chinese Traditional Opera;
中国戏曲女小生艺术现象的美学思考
9.
Comparison of Aesthetic Characteristic of“Dream of the Red Chamber”TraditionalOpera and Its Novel;
《红楼梦》戏曲与小说美学特征之比较
10.
On the Art Form and Aesthetic Characteristics of Chinese Opera
论中国戏曲的艺术形态及其美学特征
11.
On the Relationship between Liyu s Garden Aesthetics and Dramatic Theory;
李渔《闲情偶寄》园林美学与戏曲理论的关系
12.
Painting in Me and Drama in Painting--Aesthetic Comparison Between Chinese Opera and Chinese Painting;
戏中有画 画中有戏——同源异派的中国戏曲与中国绘画美学思想比较再论
13.
Opera in painting,Painting in Opera;
戏中有画 画中有戏——同源而异派的中国戏曲与中国绘画美学思想比较初论
14.
Preference of Histrionics over Literature in the Aesthetics of Chinese Traditional Theatre;
论“重演轻戏”的中国古典戏曲审美主张
15.
An Aesthetic Study of Siming Literature;
四明文学形态审美观照——散文、戏曲、小说、民间文学部分
16.
Rereading of Wangguowei’s Songyuan xiqushi;
王国维《宋元戏曲史》中的文艺美学思想及其现代误读
17.
Folk Forms and Aesthetic Values of Guan Hanqing’s Dramas--Based on 700 Years’ Research on Guan Hanqing
关汉卿戏曲的民间形态与美学价值——从七百年关汉卿研究史谈起
18.
Dreamlike Stage-Brief Talk about the Influence of Lighting Technology on Type of Stagecraft
浅谈现代戏曲写意动态灯光美学——以新编歌剧《桃花扇》为例