1.
On The Negative Typicality of Chao-Tong-An Initial Probing into Character of Epic Gesar
论超同的反面典型——《格萨尔王传》人物探
2.
The Culture of Oath in the Tibetan Epic of King Gesar;
论藏族史诗《格萨尔王传》中的盟誓文化
3.
An Analysis of the Military Law Reflected in the King Gasar;
探析《格萨尔王传》中反映的军事法律
4.
Analysis on Tribe Union Phenomenon in Epic of King Gesar;
试析《格萨尔王传》中的部落联盟现象
5.
Modern Explanation on Ecological Ethic Tradition of Emperor GeSaer;
《格萨尔王传》中生态伦理传统的现代阐释
6.
Moxie Tribe in Tang Dynasty and Jiang Kingdom in 《Emperor GeSaer·Yanhai Defence》;
唐代磨些部落与《格萨尔王传·保卫盐海》中的“姜国”
7.
The embodiment of religious spirit of the Tebetans;
藏族宗教精神的化身——《格萨尔王传·取雪山水晶国》中格萨尔王形象的宗教意识分析
8.
The Cause for Stressing on the Heroic Epic The Life of Ling·Gesar Handed down in Words by the Populace
浅析民众注重口头传承英雄史诗《岭·格萨尔王传》的缘由
9.
On the Spiritual Sustenance s Important Standing in the Life of Gesar s the Battle of the Huoling;
简析寄魂物在《格萨尔王传·霍岭大战》中的重要地位
10.
A Trial Discussion on the Nature Preservation Consciousness of Ancient Tibetan People in the Life of Gesar;
试论《格萨尔王传》中古代藏族先民的自然保护意识
11.
Vertical and Horizontal Construction:The General Constructional Difference Between Gaser and Homer's Epic
纵聚向与横组合:《格萨尔王传》与《荷马史诗》整体结构之异
12.
King Gesar, the world's longest epic created by the Tibetan people, existed only in oral memory among the Tibetan people and was performed using dialogue and singing.
《格萨尔王传》是藏族人民创作的世界上最长的英雄史诗，一直作为口头说唱艺术流传在藏族民间。
13.
Women and Ecological Ethics: Interdependency--a Case Study of the Women Group in King Gesar,the War of Jang and Ling;
女性与生态伦理:唇齿相依——以《格萨尔王传·姜岭大战》中女性群像为个案分析
14.
Shangwu Traditional Tibetan Culture "Gesar";
藏族传统尚武文化对《格萨尔》的影响
15.
On the Inherence of the Stylizing of Talking and Telling in Gesar(格萨尔) and on the Characteristics of the Art s Melody;
论《格萨尔》说唱曲调的程式化传承
16.
AL-FAISAL, Saud
沙特·费萨尔(亲王殿下)
17.
On the Identity Saying of Bao Sgrung s Oral Tradition in Epic King Gesar;
《格萨尔》神授艺人说唱传统中的认同表达
18.
The Ancient Epic Gesar:on the Original Materials of the Epic Gesar;
远古的《格萨尔》——试论《格萨尔》的原始“素材”