1.
Look Epochal Character and Production of Landscape Painting s Discourse from Shi Lu;
从石鲁看时代性与山水画语言的生成
2.
The Comparison in Painting Languages between Chinese Landscape Painting and Western Landscape Oil Painting;
中国山水画与西方风景油画绘画语言之比较
3.
On Reproducing Visual Images of Wang Wei's Pastoral Poems in English
论王维山水田园诗英译版本中的画语言再现
4.
The Inspiration of the Layout of Brochure Design from the "Space" Form of Song Academy Landscapes;
宋代院体山水画的“空间”语言形式对商业型录版式设计的启示
5.
Fusion and Boundary--A Restrited View of Chinese Modern Watercolor from the Paintings Language;
融合与边界——从绘画语言管窥中国当代水彩画
6.
A Study on Merging National Painting Language in Skills of Watercolor Painting;
浅谈水彩画技法中民族绘画语言的融汇
7.
The Invariability and Variability in Watercolour;
论水彩画本体语言的恒定性与变化性
8.
Symmetry: Important Esthetic Language of Kaii Higashiyama as a Painter;
对称——东山魁夷绘画生涯中重要的美学语言
9.
The Haracteristics of Watercolour and the Production Guidance for Watercolour Filter;
水彩画语言特质的提取对水彩滤镜的制作指导
10.
The Consideration on Culture Shape of Chinese Modern Watermark Print Language;
对中国现代水印版画语言文化形态的思考
11.
Shouping Yun "Mogu" Painting to Contemporarye Xpanding Ink and Wash Painting Language Inspiration;
恽寿平的没骨法对当代拓展水墨画语言的启发
12.
Watercolor painting has natural intimacy with Chinese wash painting,for both of them employ water as the medium.
针对现状,进行水彩画技法中民族绘画语言的融汇的研究.
13.
Interpretation on Mature Form of the Theory of Landscape Painting: Huashanshui Xu and Xuhua
解读山水画理论的成熟形态——《画山水序》和《叙画》
14.
He was admired for his landscape, bird-and-flower and occasional figure painting.
他的山水画、鸟画和人物画受人仰慕。
15.
We have landscape painting，figure painting and flower and-bird painting.
我们有山水画、人物画和花鸟画。
16.
Landscape is an important branch of traditional Chinese painting.
山水画是中国画中重要的画科。
17.
On the Flexible Language of Hsieh Tiao s Mountains-andWaters Poems;
诗意地安居——谢脁山水诗创作的灵动语言
18.
Investigation of Ethnic Languages in Guizhou s Ethnic Inve stigation of "Six Moantains and Six Rivers;
贵州“六山六水”民族调查中的民族语言调查