1.
Buddhist Stories in the Early Tang Dynasty and the Rise of the Literary Tales Style;
初盛唐佛教小说与唐传奇的文体发生
2.
A Study on the Phenomenon of Zhuo-shang-bian-qu in the Rhymed Sinigrams by Authors in Hubei Province in Early and Middle Tang Dynasty;
初盛唐湖北诗文用韵浊上变去情况考
3.
Peotry of A Galaxy of Talents －On Qilü Poems in Early and Mid Tang Dynasty;
英华乍起的诗体──初盛唐七律论略
4.
The Cultural Direction of Imperial Examination and the Evolution of Poetry Style of Qi and Liang Dynasties in the Early Tang and High Tang;
初盛唐科举文化导向与齐梁诗风的沿革
5.
The Tedency of Literary Taste in the Early and High Tang Dynasty:Take the Acceptance of Liu Xi-yi s Poems for Example;
初盛唐文艺审美趋向——以刘希夷诗歌的接受为例
6.
A Discussion of the Outlook on Hell in the Early Period of the Tang Dynasty from the Perspective of Wang Fanzhi s Poems;
从王梵志诗看初盛唐时期民间的地狱观
7.
On the Comment-Poetry in the Early-Stage of the Tang Dynasty;
初盛唐诗歌议论的思想呈现与表现手法
8.
The Taoist Mania in the Early and Middle Periods of Tang Dynasty;
初盛唐的崇道狂迷——谈终南山道教与文人活动
9.
Re-evaluation of QU Yuan and YANG Xiong in the Middle and late Tang Dynasty--With Reference to the Early and Prosperous Tang Dynasty;
论中晚唐人对屈原和扬雄的再评价——以初盛唐为参照
10.
A Critical Explanation of Yuan Jing s "Preface to Selected Poetic Witicisms";
元兢《诗人秀句序》释论——兼论其诗学对初盛唐诗歌发展之意义
11.
The Moon of"Mountain" And The moon of "Sentiment"--Simply Discuss the Relations between Lunar Scenery and Poetry Sentiment in Poem of The Southern Dynasty and the Beginning of Tang
“山”月与“情”月——简论南朝与初盛唐月诗中月景与诗情之关系
12.
At the turn of the early Tang Dynasty to the prosperous Tang, Chen Yuanguang's "Longhu Poetry Anthology" had some breakthrough success in the theme, aesthetics and style.
初盛唐之交，陈元光《龙湖集》在诗歌题材、审美趣味、诗歌风格等方面均有所突破。
13.
Generous Life Characteristics and High-spirited Poetic Interests--on the intrinsic heritage of life consciousness of early Tang Dynasty poets;
豁达的生命特质与昂扬的诗歌勃兴——试论初盛唐诗人生命意识的内在传承
14.
A Look into the Poetry of the Tang Dynasty from the Early Tang Dynasty to Its Prosperous Time through Mr. Zhang Jiuling’s Poems Written for Official Requirement
从张九龄应制诗看唐诗由初唐之渐盛
15.
Tri-colored glazed pottery is the cream of Tang Dynasty pottery and it flourished during the dynasty's early and middle period.
唐三彩是唐代陶器中的精华，在初唐、盛唐时达到高峰。安
16.
Pei showed trend that became broader after the second stage.
盛唐以后的帔也显示出比初唐更为宽大的趋势。
17.
Study On These Caves Unfinished in High-Tang Dynasty and Completed in Mid-Tang Dynasty And Its Historical Background;
莫高窟盛唐未完工中唐补绘洞窟之初探
18.
The Prosperous Tang, Its Flourishing Scenery and Aesthetic Thought;
盛唐、“盛唐气象”与盛唐美学思想