1.
He asked his Prime Minister, Li Si, to unite the eight calligraphic styles that were thriving in other states to create the standardized qinzhuan (Qin-Dynasty seal) script.
他命宰相李斯将当时的大篆、小篆、刻符、摹
2.
He was versed in Zhen Script, Xing script, Li script, Seal Character and Seal Cutting, especially expert at Seal Character.
他于真、行、隶、篆、篆刻等无所不工,尤擅于篆书。
3.
There is a large screen wall in the porch, on which the character meaning long life is inscribed a total of100 times, each with a completely unique design.
沿着大理石台阶进入主副楼之间的门廊，上有大幅照壁，100个“寿”字以全然不同的篆体烧制。
4.
The engravings on Mount Yi represent the typical style of qinzhuan calligraphy.
《峄山刻石》是秦篆(即小篆)的代表之作。
5.
Taking the Examples of Loopholes and Faults with Seal Characters and Seal Characters Correspond to Regular Scripts in Ancient Documents;
古文献中篆文及其篆楷对应错漏举例
6.
Developing the Grass- feeding Livestock industry in the Three- Gorges Reservoir Area is consistent with the policy that farmland return to meadow or forest and adjust village industrial structure.
在三峡库区大力发展草食家畜产业,符合退耕还林还草和农村产业结构调整的政篆。
7.
My View on the Category of the Special Item of Art Lettering Under the Class Heading of Penmanship and Seal Cutting in the " J" Classed Catalogue of the Chinese Library Classification. the 4th Edtion;
对《中图法·第四版》"J"大类中"书法、篆刻"类目子目"美术字写法"类属的看法
8.
Researches on Forged Ming and Qing Dynasty Seals of Notables in the Collection of the Palace Museum(Ⅲ):Four Works with Seals Donated by Mr.Deng Yizhe
故宫藏明清名家篆刻伪讹丛考(三)——邓以蛰先生捐献的四件篆刻作品
9.
His calligraphy was inherited from the northern tablet styles and he learned li and zhuan calligraphy from Deng Shiru.
他的书法承北碑，篆隶师邓石如，
10.
The official script in calligraphy is a transition between seal character, and regular script.
隶体是书法从篆体到楷体的过渡。
11.
Li calligraphy developed from zhuan characters but it introduced the kai (regular script) characteristics.
隶书承上启下，上承篆书，下启楷书。
12.
A Philological Inspiration on the Varied Forms of Characters in the Analytical Dictionary of Chinese Characters;
《说文解字》所收异体篆文的文字学启示
13.
Analyze the Formation Pattern of Xiaozhuan by the Theory of Chinese Characters Formation;
利用汉字构形理论分析小篆构形模式
14.
The Authenticity of Seals of Eminent Ming and Qing Personages in the Collection of the Palace Museum (2);
故宫藏明清名家篆刻伪讹丛考(二)
15.
On You-qie and its Revising Method in Zhuanli Wanxiang Mingyi;
论《篆隶万象名义》的“又切”及整理方法
16.
The Artistic Style of the Stone Portrait of Nanyang and Seal Cutting;
浅论南阳汉画像石与篆刻的艺术风格
17.
The Poem of Li Chao s Bafen & Xiaozhuan Calligraphies and the Aesthetic Conceptions of Du Fu;
从《李潮八分小篆歌》看杜甫的美学观
18.
Some Errors in Explaination of Zhuanli Wanxiang Mingyi;
《篆隶万象名义》词义训释中的几种失误