1.
The Comparison of the Play of Shuihu and All Men are Brothers;
元杂剧水浒戏与小说《水浒传》比较
2.
The Manifestations and Causes of Yuan Multi-opera Writes Personality Ideal in Shuihu Plays;
元杂剧作家人格理想在水浒戏中的表现及成因
3.
The Evolution of the Heroes of the Outlaws of the Marsh from Yuan Za JU;
水浒英雄在元杂剧与《水浒传》中的嬗变
4.
Relationship between Shuihu multi-operas in the Ming Dynasty and Water Margin;
明代水浒杂剧与《水浒传》的关系度
5.
The Cohesive Relationship between Shu Hui Drama of the Yuan Dynasty and Shui Hu Zhuan;
试论元代水浒戏与《水浒传》之间的相承关系
6.
Yuan Dynasty Opera Based on The Water Margin and the Early development of Its Poetic Structure;
元代水浒戏与《水浒传》诗性结构的先期发育
7.
A Comprehensive Study of Traditional Operas of "Water Margin" in Yuan Dynasty,Ming Dynasty and Qiing Dynasty --A review of Mr.Jiang zhijun s"On Traditional Operas of Water Margin;
一篇综论元明清水浒戏的力作——江蛰君先生遗稿《论水浒戏》读后
8.
The basic structural way of Yuan Drama
元杂剧基本的戏剧构造方式——元杂剧文本结构研究之二
9.
The Differences of Pattern between miscellaneous drama of Yuan Dynasty and Western Traditional Drama;
元杂剧戏剧模式与西方传统模式的差异——元杂剧文本结构研究之一
10.
Differentiation between `Zhengmo ,`Zhengdan in Yuan Zaju and `Sheng ,`Dan in Southern Opera;
元杂剧之“正末”、“正旦”与南戏之“生”、“旦”辨
11.
Studies the Yuan Dynasty Play from Baogong Flay to the Involved Legal Matter Literature Development
从元杂剧包公戏谈公案剧对公案文学的发展
12.
On Wenzhou Zaju, Xiwen, Traditional Opera in Yongjia and Various Tunes of Nanxi -Four Stages during the Development of Nanxi in the Song and Yuan Dynasties;
温州杂剧·戏文·永嘉戏曲·南戏诸腔——宋元南戏发展史的四个阶段
13.
On the Progress in the Achievement of Ming-dynasty Plays through Comparison between Yuan-dynasty and Ming-dynasty Block -printed Edition Yuan Poetic Dramas;
从元杂剧元明刊本之比较论明代戏曲的进步
14.
In the Yuan Dynasty (1271---1368 A.D.), operas made brilliant achievements and played an important role in the history of traditional Chinese opera.
其中最有名的戏剧集就是《元曲选杂剧》，它包括8卷共100出戏。
15.
The Comparison of Female Characters in the Play of Shui hu And in the All men are brothers;
水浒戏中的搽旦与《水浒传》中的女性形象
16.
The Interpretation of Shuihu Drama on the Water Margin in Ming Dynasty and Its Positive Significance
明人水浒戏对于《水浒传》的诠释及其积极意义
17.
Common People Tendency in the Aesthetics of Yuan-Dynasty Dramas--Viewing from the Common-People Consciousness;
从元杂剧的平民意识看元代戏剧美学的平民主义倾向
18.
Analysis of the Character in Chinese and Western Structure of Tradition Theater--The Difference of Ontology in Ancient Greek Tragedy and Yuan Traditional Opera;
中西传统戏剧结构之特性剖析——古希腊悲剧与元杂剧戏剧本体特性的差异