1.
On the Inherence of the Stylizing of Talking and Telling in Gesar(格萨尔) and on the Characteristics of the Art s Melody;
论《格萨尔》说唱曲调的程式化传承
2.
Attention to Narrators and Singers of Epic Gesar;
史诗《格萨尔》说唱艺人的抢救与保护
3.
A Survey on the Artists of Shuochang(a genre of Popular Literature) of Gesaer of the Tu Ethnic Group and Policies of its Protection
土族《格萨尔》说唱艺人调查及保护对策研究
4.
On the Identity Saying of Bao Sgrung s Oral Tradition in Epic King Gesar;
《格萨尔》神授艺人说唱传统中的认同表达
5.
The Past Beggars Becoming the Treasure of the Nation--The Social Status Change of Singing Artists of King Gesar;
昔日乞丐 今日国宝——谈“格萨尔”说唱艺人社会地位的历史性变化
6.
King Gesar, the world's longest epic created by the Tibetan people, existed only in oral memory among the Tibetan people and was performed using dialogue and singing.
《格萨尔王传》是藏族人民创作的世界上最长的英雄史诗，一直作为口头说唱艺术流传在藏族民间。
7.
Phonemic System of Gesar in Tu Nationality Version;
试析土族《格萨尔》唱词中的藏语音位系统
8.
The Ancient Epic Gesar:on the Original Materials of the Epic Gesar;
远古的《格萨尔》——试论《格萨尔》的原始“素材”
9.
Mongolian Rap Art--An Approach to the source of the development of Uliger in Keyouzhongqi;
蒙古族说唱艺术——乌力格尔在科尔沁右翼中旗发展渊源探析
10.
Ethical ideas in Gesaer and ideal personality of Gesaer;
试论《格萨尔》中的伦理思想与格萨尔理想人格
11.
Verse－ prose Genre and Poetic Narration;
说唱的艺术 诗化的叙述──《江格尔艺术论》之五“叙事论”
12.
An Approach on Boyindelger′s "Bioplast" Singing Style;
试论宝音德力格尔“原生态”歌唱风格
13.
On the Artistic Style of Albert Savarus of Balzac
评巴尔扎克《亚尔培·萨伐龙》的艺术风格
14.
On the artistry described protagonist s disposition in the epic 《Ge Sar》;
《格萨尔》描写主人公性格的艺术方法
15.
Progress of Gesar Study--Preface to Gesar (Tu Nationality) Volume III of Gesar Library;
格萨尔学研究的新进展——《格萨尔文库》第三卷《土族〈格萨尔〉》上、中册出版题记
16.
Asked if Saha had any chance of returning against Chelsea, the Scot replied: “I would say not, no.
被问到萨哈是不是还能参加和切尔西的比赛，苏格兰人说：“我会说不，不会。”
17.
Factual Analysis of Tu《Gesar》Originating from Tibetan《Gesar》;
解析土族《格萨尔》源于藏族《格萨尔》史诗的事实依据
18.
A Review on the Studying of the Whorf-Sapir Hypothesis;
当代国外“沃尔夫-萨丕尔假说”研究评介