1.
One Style Poetics in Ming Dynasty:"Form","Melody","Emotion";
明代格调论诗学“格”、“调”、“情”的内涵
2.
Gao Bing s The Collection of Tang Poem and the Literary Style Theory of Ming Dynasty;
高棅《唐诗品汇》与明代格调派诗学辨体理论
3.
The Deepening and Transforming of Tang Poetics in the Stylistic Theory;
从"末五子"到许学夷:格调论唐诗学的深化与蜕变
4.
From the Theory of the Normal and Changeable Poem Temperament to the One of the Tonics System;
从“音律正变”理论到格调说──《唐音》在元明诗学嬗变中的理论意义
5.
Handing Down and Dispelling: a Discussion on Chinese Poetical Meters in View of Ancient Poetry;
承传与消解:古典诗学视野中的诗格论
6.
The Compatibility of "Artistic Form"and "Romantic Charm" -On Poetic Concept of Hu Yinglin;
“体格声调”与“兴象风神”的兼容共生——论胡应麟的诗学观念
7.
Yuan Zhongdao and Jingling-School: the fusion of the natural inspiration theory and the style theory;
袁中道和竟陵派:性灵论与格调论唐诗观的调和
8.
Theoretical Features of Hu Ying ling s “On Poetry”;
格调 风神 神韵——胡应麟《诗薮》的理论特色
9.
Development of Poetics of Song & Ming Dynasties and Theoretical Features of Wang Fuzhi s Poetics;
宋明诗学的流变与王夫之诗学的理论品格
10.
Preliminary Discussion on Artistic Style of Qin Guans Poems─"Lady Poem" is Not the Main Tone of Qin Guans Poems;
试论秦观诗的艺术风格——“女郎诗”不是秦观诗的主调
11.
The Natural Flavor in the Poetry of the Song Dynasty and the Relative Theories;
宋诗的平淡风格与宋代的诗味理论——中印诗学理论微观比较研究
12.
On the Impact of Jiang Kui's Poetics Thoughts on the Writing Style of His Poetry
论姜夔诗学思想对其诗词创作风格的影响
13.
Molian: The Core Theory of Poetics in Tang and Five Dynasties: An Shige-centric study
磨炼:晚唐五代诗学的理论核心——以诗格为中心
14.
Personality Education in the Classic Verse Teaching;
试论中国古典诗歌教学中的人格教育
15.
Comment on classical literature middle poetical meter inheriting and develop;
论古典文学中诗词格律的继承和发展
16.
On transformation in the later period of Heidegger s poetics and its significances;
论海德格尔诗学的后期转向及其意义
17.
A Preliminary Exploration of the Theoretical Poetic Frame Suggested by QI Ji in His Book Feng Sao Zhi Ge;
齐己《风骚旨格》的诗学理论架构初探
18.
On the Grieved Solemnness and Aesthetic Style of “A Collection of Ninteen Ancient Poems”;
试论《古诗十九首》悲凉的美学风格