1.
The Relation between Analects, the Human World, Cosmic Wind and Lin Yutang s Theory of Free Prose;
《论语》、《人间世》、《宇宙风》与林语堂性灵文学观的建构
2.
Ascending Power and Personal Emotion--A Comparative Study on De Quincey s and Zhou Zuo-ren s Literature Dichotomies;
向上的力量和独抒的性灵——德·昆西和周作人的文学两分观之比较
3.
Soul and Spirit--On Yangming s school and the qualities of the literature in the late period of the Ming Dynasty;
心灵与性灵——论阳明心学与晚明文学的特质
4.
Relations between "Xingling" and Literary Ideology about Yang Wanli;
“性灵”观与杨万里的诗学思想新探
5.
More Survey of Southern Dynasty s Literature;
性灵·佛教·山水──南朝文学的新考察
6.
Clinical and Pathological Observation on Experimental Dushuling Acute Poisoning in Piglets
猪试验性毒鼠灵急性中毒的临床和病理学观察
7.
A Cognitive Approach to Literature and Mark Turner's The Literary Mind
文学疆域的拓宽和思维观念的颠覆——论特纳的《文学的心灵》
8.
The Shining Nature --a re-recognize to"human nature"in literature;
闪光的性灵——对文学现象中“人性”的再认识
9.
Human, Human Individuality, Literature--The Early View of Literature of Zhou Zuoren
人·个性·文学——论周作人早期的文学观
10.
The 100 Years Development of Subject Characteristics and Instruction Objectives Conception;
语文学科性质观、语文教学目的观的发展百年
11.
The Cultural Philosophy s Nature and its World Outlook and Life Outlook;
文化哲学的性质及其世界观和生命观
12.
Soul Run a Risk in the Classic of Literature--Zhou Zuo - ren s Means of Literary Criticism and its Practical Significance;
心灵在杰作间之冒险——周作人的文学批评观及其现实意义
13.
Macro-control of the subject s psychological inner sturcture for the composition quality of literary works;
心灵的化合——关于文学创作构思质量的主体心理内结构的宏观把握
14.
The Resurgence of the Soul --The Consciousness of the Female Literature of May 4th Movement;
灵魂苏醒——论“五四”女性文学创作的主体意识
15.
The Popularization of "Xing Ling" Literature in Late Ming Dynasty;
晚明性灵文学的世俗化倾向——以袁宏道为代表
16.
Unification of "Scientific Nature" and "Humanity" in the Scientific Concept of Development
科学发展观之“科学性”与“人文性”的统一
17.
Chinese orthodox literature expressly aimed at expressing the minds of the sages and not the minds of the authors and was therefore dead; the hsingling school of literature aims at expressing the minds of the authors and not the minds of the sages, and is therefore alive.
古来文学有圣贤而无我，故死，性灵文学有我而无圣贤，故生。
18.
The Cultural Features of Traditional Chinese Literature in the Angle of Macro Comparative Literature
从宏观比较文学看中国传统文学的文化特性