1.
The Demonstration of Culture in the Narration of Water Margin by the Lower-class People
底层叙述在《水浒全传》中的文化抉择
2.
Interrogative Pronouns in the Dialogues and Soliloquies in the Selections From Yuan Drama--Comparison With Tales of Xuihu Rebels;
《元曲选》宾白疑问代词考察——兼与《水浒全传》比较
3.
To Comment on the Features of the Hebi Qihe Dialect in "the Story of 108 Men" from the Imperial Decree in Jinshan Temple;
从金山寺圣旨碑看《水浒全传》的鹤壁淇河语言特色
4.
The Evolution of the Heroes of the Outlaws of the Marsh from Yuan Za JU;
水浒英雄在元杂剧与《水浒传》中的嬗变
5.
The Comparison of the Play of Shuihu and All Men are Brothers;
元杂剧水浒戏与小说《水浒传》比较
6.
Relationship between Shuihu multi-operas in the Ming Dynasty and Water Margin;
明代水浒杂剧与《水浒传》的关系度
7.
The Dilemma of Audacity and Loyalty: On the View on Hero in Hou Shui Hu Zhuan
义勇和精忠两难全:论《后水浒传》的英雄观
8.
Gensou Suikoden Card Stories
幻想水浒传-卡片传说
9.
An ideological research and analysis of Water Margin in 20th century;
20世纪《水浒传》思想研究及《水浒传》思想论析
10.
On the Heroine Images in the Novels of Shuihuhouzhuan,Houshuihuzhuan and Dangkouzhi;
论《水浒后传》《后水浒传》《荡寇志》中的女英雄形象
11.
The Conflict Between Loyalty and Justice in Songjiang’s Personality;
忠义难两全 水火不相容——试论《水浒传》中宋江忠义性格的矛盾
12.
Comments on the conflicting charater of Song Jiang in Water Margin;
水火不能相容 忠义难以两全──试论《水浒传》中宋江的性格矛盾
13.
The Cohesive Relationship between Shu Hui Drama of the Yuan Dynasty and Shui Hu Zhuan;
试论元代水浒戏与《水浒传》之间的相承关系
14.
Unique Exploration of the Artistic Charm of Book of Water Margin--Some Simple Comments about the Individual Legal Matter of the Book of Water Margin;
《水浒传》艺术魅力的独特探索—简评《〈水浒〉公案论》
15.
Yuan Dynasty Opera Based on The Water Margin and the Early development of Its Poetic Structure;
元代水浒戏与《水浒传》诗性结构的先期发育
16.
The Comparison of Female Characters in the Play of Shui hu And in the All men are brothers;
水浒戏中的搽旦与《水浒传》中的女性形象
17.
The Interpretation of Shuihu Drama on the Water Margin in Ming Dynasty and Its Positive Significance
明人水浒戏对于《水浒传》的诠释及其积极意义
18.
The Analysis on the Arrange of Plot in All Men Are Brothers;
狮子搏兔,亦用全力——谈《水浒传》对几个小情节的处理