1.
ShiJing Literature Frame and Poetry Lyric Tradition;
市井文学框架与诗骚抒情传统——论元杂剧三国戏的美学风格
2.
CULTURAL PERSPECTIVE OF THE PLAYS OF THE THREE KINGDOMS OF THE YUAN DYNASTY;
士人与大众文化心理的交融——元杂剧三国戏的文化透视
3.
Aesthetic Characterization in the Yuan Poetic Drama As Is Seen in the Plays of The Three Kingdoms;
以雅融俗 传神写意——从三国戏看元杂剧的人物美学特征
4.
The Effect of the Opera in the Song Dynasty upon the Yuanqu Opera--On the Formation of the Chinese Opera;
宋代戏、曲对元杂剧形成的影响——兼论中国戏曲的形成
5.
The basic structural way of Yuan Drama
元杂剧基本的戏剧构造方式——元杂剧文本结构研究之二
6.
The Differences of Pattern between miscellaneous drama of Yuan Dynasty and Western Traditional Drama;
元杂剧戏剧模式与西方传统模式的差异——元杂剧文本结构研究之一
7.
The Phenomena of Clichés in Miscellaneous Drama of Yuan Dynasty and The View of Fate in Chinese Classic Drama
元杂剧的“陈词滥套”现象与中国古典戏曲的命运观
8.
The Comparison of the Play of Shuihu and All Men are Brothers;
元杂剧水浒戏与小说《水浒传》比较
9.
Differentiation between `Zhengmo ,`Zhengdan in Yuan Zaju and `Sheng ,`Dan in Southern Opera;
元杂剧之“正末”、“正旦”与南戏之“生”、“旦”辨
10.
Studies the Yuan Dynasty Play from Baogong Flay to the Involved Legal Matter Literature Development
从元杂剧包公戏谈公案剧对公案文学的发展
11.
On Wenzhou Zaju, Xiwen, Traditional Opera in Yongjia and Various Tunes of Nanxi -Four Stages during the Development of Nanxi in the Song and Yuan Dynasties;
温州杂剧·戏文·永嘉戏曲·南戏诸腔——宋元南戏发展史的四个阶段
12.
"The Chinese opera which appeared first as the zaju in the Song Dynasty, developed into the yuanqu of the Yuan Dynasty(1271-1368),"
是中国的国戏，它先是作为杂剧出现在宋代，后发展成元代(公元1271-1368年)的元曲
13.
On the Progress in the Achievement of Ming-dynasty Plays through Comparison between Yuan-dynasty and Ming-dynasty Block -printed Edition Yuan Poetic Dramas;
从元杂剧元明刊本之比较论明代戏曲的进步
14.
In the Yuan Dynasty (1271---1368 A.D.), operas made brilliant achievements and played an important role in the history of traditional Chinese opera.
其中最有名的戏剧集就是《元曲选杂剧》，它包括8卷共100出戏。
15.
The Three-Dimension Drama Education Model of National Opera College
论国立剧专“三维一体”的戏剧教育模式
16.
Common People Tendency in the Aesthetics of Yuan-Dynasty Dramas--Viewing from the Common-People Consciousness;
从元杂剧的平民意识看元代戏剧美学的平民主义倾向
17.
Analysis of the Character in Chinese and Western Structure of Tradition Theater--The Difference of Ontology in Ancient Greek Tragedy and Yuan Traditional Opera;
中西传统戏剧结构之特性剖析——古希腊悲剧与元杂剧戏剧本体特性的差异
18.
Comments on Lord Bao Zeng in Yuan Drama;
铁面执法还是以谋代法——试论元杂剧中的包公戏