1.
New Achievements in the Study of the Royal Literature in the Liang Kingdom--A Comment on A Probe into Four Xiao s-Literature as the Center;
萧梁皇室文学研究的新成果——评《四萧研究——以文学为中心》
2.
The Southern Dynasty Society and Assessments of "Four Xiao"--Alsoon "The Research of Xiao’s Familyin Lanling and Its Literature Achievements"
南朝社会与“四萧”评价问题——兼论《兰陵萧氏家族及其文学研究》
3.
The Relation between "Si Xiao" of Liang Dynasty and Scholars and Effect of It to the Literature of Liang Dynasty;
梁代“四萧”与文人关系及对梁朝文学之影响
4.
On “Four Xiaos” Inheriting & Surpassing of the Utilitarian Outlook of Confucian Literature;
论“四萧”对儒家文学功利观的继承与超越
5.
Following the Pattern of Confucianism Essence and Catering for the Time Ethos
袭儒家之精华,顺时代之风气——浅谈儒家思想和南朝时风与梁代四萧文论思想的互动
6.
poverty-stricken families, homes, housing
一贫如洗的家庭、 缺衣乏食的家、 四壁萧然的房屋.
7.
Lal the ral the ra, lal the ral the raddy.
吁——萧萧，吁——得得。
8.
It was deep down in the empty soul of the Depression in 1934.
一九三四年，经济大萧条的凄凉景象已到了严重境地。
9.
Xiao wrote the choral piece for female voices Farewell to School in 1924, and the four-part Spring Moonlight on the Flowers by the River, in 1929.
萧氏1924年作女声合唱《别校辞》以及1929年作四部合唱的《春江花月夜》，
10.
The walls of the room were bare except for a copy of an election adress.
四壁萧然，惟有一张复印的竞选讲话贴在一堵墙上。
11.
On Four-word Poem in "Wen Xuan"(Anthology)
说《文选》中的四言诗——兼论萧统与刘勰和钟嵘诗学观的异同
12.
The setting sunlights up the mighty standard, Amid the neighing of horses and soughing of wind.
“落日照大旗，马鸣风萧萧”
13.
such as the song of birds or the whistling of the wind,
如鸟儿鸣唱或萧萧风声，
14.
The cold wind was sobbing through the trees.
寒风萧萧吹过树林。
15.
“Moderate” and “Change” of the Moon.--Comments “Whinny”;
“常”与“变”中的哀乐——评《萧萧》
16.
the experimental group was not only rinsed by the mixture of gentamycin and dexamethasone but also treated with the mixture of celluvisc and cortisone tetracycline.
试验组在对照组用药的基础上加用萧莱威和四环素可的松眼膏混合剂进行治疗。
17.
Moppets of the Depression and before were uncomplicated, ravenous Little Rascals and ruddy-faced Katzenjammers of simple wants and slapstick antics.
经济大萧条时期前后的孩子们既单纯，又粗俗，游手好闲，嬉笑打闹，整日涨红着脸，四处酗酒。
18.
In the field of chamber music at this time, the leading works were Xiao's four-piece orchestral Night Music and Zhao Yuanren's work for flute and piano Wordless Song.
室内乐的创作，首推萧友梅的弦乐四重奏《夜曲》和赵元任的长笛、钢琴二重奏《无词歌》。