1.
On Tibetan Tangka Painting as a Kind of Conceptual Art;
论作为观念艺术的唐卡绘画创作特性
2.
A Brief Analysis of Characteristics of Youth Literature after 1980s;
浅析“80后”青春文学的创作特性
3.
The Creative Characteristics and Value Orientation of "Post 80s" Novel Writing
“80后”小说创作特性及其价值取向
4.
The Persnalized Creation Characteristic of TrioThe Soldier s Story;
三重奏《士兵的故事》的个性化创作特征
5.
The Sentimental Features of Poems Written in Chinese by Ancient Korean Females;
论古代朝鲜女性汉诗创作的感伤特色
6.
Loyalty to Herself:Expounding the Peculiarity of Xiao Hong s Novels;
忠于自我——论萧红小说创作的独特性
7.
Unique Fictional Techniques of Angels & Demons;
论《天使与魔鬼》创作技法的独特性
8.
On Emily Bronte s Characters and Her Success in Literary Creation;
论艾米莉·勃朗特的性格及其文学创作
9.
The Commonness of Charlotte Bronte and Ding ling Works;
论夏绿蒂·勃朗特与丁玲的创作共性
10.
On Yecenin s Individual Character in his Poetry Writing;
试论叶赛宁诗歌创作过程的个性特征
11.
A Discussion of the Artistic Imagination in Wen Yiduo s Poem Composition;
论闻一多诗歌创作中的艺术想象特性
12.
On the Dialectical Features of Beethoven’s Sonatas Composition For Piano;
论贝多芬钢琴奏鸣曲创作的辩证特性
13.
Poetic Experience and Poetic Expression --On the characteristic of Intuitive Comprehension;
诗性体悟与诗性言说——试论“妙悟”的创作论特性
14.
The Essential Feature of "Fang" as an Ancient Way of Chinese Painting;
“仿”作为中国古代绘画创作方式的本质特性
15.
Collectivity and originality are theessential characteristics of composite works.
集合性和独创性是汇编作品的本质特征。
16.
Creatively developping work and cultivating creative person with ability;
创造性开展工作与培养创造性人才——《林肯寻找格兰特》读后感
17.
To Be or Not to Be-On Kate Chopin s Ambiguous Characterization of Female Images in Her Fiction;
似是而非—试论凯特·肖邦女性形象创作的模糊观
18.
A Study of Zhao Zhiqian s Calligraphy Characteristics and Art Features;
从碑帖融合看赵之谦的创作个性和艺术特色