1.
The Study of Two-lane Structure in Chinese Long Classical Opera;
中国古典长篇戏曲中的双线结构研究
2.
History of Chinese Classical Dramatic Theory
中国古典戏曲理论史
3.
The Research on the Development of Play-within-a-play in Chinese Classical Dramas;
中国古典戏曲中“戏中戏”的发展研究
4.
Preference of Histrionics over Literature in the Aesthetics of Chinese Traditional Theatre;
论“重演轻戏”的中国古典戏曲审美主张
5.
The Origin of Ancient Qilu Drama and the Prosperity of Shandong Yuan Drama--One of the Discussions of Ancient Qilu Drama;
齐鲁古典戏曲溯源及山东元杂剧兴盛初探——齐鲁古典戏曲述略之一
6.
Influence and Infiltration of Chinese Classical Operas on Classical Novels;
论中国古典戏曲艺术对古典小说的渗透与影响
7.
A Special View to the "Perfect Ending" in Chinese Classic Drama Novels;
中国古典戏曲小说“大团圆现象”管窥
8.
On the Make-up and Modeling of the Characters in TV Theatrical Films;
浅谈古典戏曲电视片的人物化妆造型
9.
The Criteria of Tragedy in Chinese Classical Dramas;
关于中国古典戏曲中悲剧标准的探讨
10.
The "originally simplicity approach"in theories about Chinese classical opera;
中国古典戏曲理论中的“当行本色”论
11.
The Statement "Zhong Jiqu" of Li Yu And "Bense Lun" in Operatic Criticism of Ming Dynasty
李渔“重机趣”说与古典戏曲“本色”的探求
12.
On the Function of Chinese Opera-house in Chinese Traditional Opera;
论戏楼在中国古典戏曲艺术发展中的作用
13.
On the Reasons for the Prolificacy of Ghost-plays in Traditional Chinese Opera From the Perspective of the Function of Drama;
从戏曲功能探究中国古典鬼戏多产的原因
14.
The catalyzing of western drama to the"modernization/of Chinese classical drama advancement;
西方戏剧对中国古典戏曲“现代化”进程的催化
15.
On Wang Guowei s Contradietion of Aesthetic Values of Chinese Opera--also on the poetic character of Chinese classical opera;
论王国维对中国古典戏曲审美价值观之矛盾——兼论中国古典戏曲的诗性特征
16.
A Study of the Relationship between Ancient Chinese and Indian Dramas;
梵声佛曲与汉辞华章——中印古典戏剧因缘
17.
On the Contemporary Research System of Classical Dramaturgy;
论当代古典戏曲理论研究体系的建立及其内涵
18.
Business culture s flourishing of the capital of Song and Jin dynasties and classical drama s maturity;
宋金都城商业文化的高涨与古典戏曲之成熟