1.
On Melville s Tragic Tendency and Its Reflections in His Works;
论麦尔维尔的悲剧倾向及其在作品中的体现
2.
On the Strong Political Inclination of “Rouge et Noir” --Also on the social significance of Hulian s tragedy;
论《红与黑》强烈的政治倾向——兼谈于连悲剧的社会意义
3.
He poured out his grief.
他把悲伤向我们倾诉。
4.
In this article, the author focuses on the anti-feudalism consciousness, tragedy consciousness and animadversion consciousness.
本文主要论述了意识倾向变化中的反封建意识、悲剧意识和批判意识。
5.
The Tragicomedy as a Dramatic Genre Sublimated to an Aesthetic Category;
悲喜剧:由戏剧类型向审美范畴升华
6.
Our school dramas tend towards comedy and farce.
我们学校编排的戏剧倾向于喜剧和滑稽剧。
7.
The Hong Kong s Tragicomedy--Love of the Beautiful Woman and Hong Kong s Sentiment and Love Compare;
香港的悲喜剧——《倾城之恋》与《香港的情和爱》之比较
8.
Endless Bleakness;
无尽的苍凉——浅淡张爱玲《倾城之恋》中的悲剧色彩
9.
Inclined to melancholy.
忧郁的，悲观的，沮丧的有忧郁倾向的
10.
She could not tell me in words that she was suffering,
她无法用言语向我们倾诉她的悲痛，
11.
On Meaning of Happy Ending of Chinese Tragic Play;
“团圆”:悲剧审美趋向的符号象征——论中国悲剧大团圆结局意义
12.
Arrogance Leading to Tragedy──On the Cause of Othello s Tragedy and Its Value;
人文主义者自傲的悲剧──《奥瑟罗》悲剧成因及价值指向
13.
Tragic consciousness in Hikaru Genzi and its guidance to Fascicle Kiritsubo;
《源氏物语》悲剧意识论──兼论《桐壶》卷的悲剧意识导向
14.
On the Tragedy of Struggling with Fate--Analysis of Camus s The Stranger;
向命运抗争的悲剧——解读加缪的《局外人》
15.
Cultural Subjectivity: Interpreting the Viewpoint of Two Dimensions in Tragedy;
文化—主体论:解读悲剧的双向视角
16.
Whence Does “the Tragic” Come? --A Humanistic Comparison Between Chinese and Western Literatures on “the Tragic” in Tragedy;
“悲”从何来?——就悲剧之“悲”对中、西文学人文趣向的一个比较
17.
A writer of tragedies.
悲剧家写悲剧的作家
18.
The ridge falls away quickly where it approaches the sea.
山岭在近海处急剧向下倾斜。