1.
On Performance of Chopin's F Major Second Ballade
关于肖邦《F大调第二叙事曲》的演奏分析及探讨
2.
The second part analyzes the "maze" features, which is a unique narrative skill of the novel.
第二部分分析小说独特的“迷宫式”叙事。
3.
for the erhu by Liu Wenjin (Ballad of Northern Henan and Musing at the Sanmen Gorge), and Huang Haihuai (Horse Race);
二胡曲有刘文金的《豫北叙事曲》和《三门峡畅想曲》、黄海怀《赛马》
4.
On the Performance and Teaching of Chopin s First Narrative in G-minor;
论肖邦《g小调第一叙事曲》的演奏与教学
5.
The Creative Characteristics and Playing Skills of Chopin s The 1st Ballade;
肖邦《第一叙事曲》的创作特征与演奏探析
6.
The artistry and performance art of Erhu ballade "Parting of the Newly-married";
论二胡叙事曲《新婚别》的创作艺术和表演艺术
7.
The charm of a no-ending narration:an analysis on the second person pronoun in the narration "Fu Sang";
一种未完成的叙事状态的魅力——析《扶桑》叙事当中的第二人称
8.
Research of Beethoven s the Eighth Sonata and Chopin s the Third Ballade;
对贝多芬第八奏鸣曲和肖邦叙事曲的音乐内容研究
9.
Chapter 2: the analysis of the narrative spatiotemporal of Chinese-translated Buddhist scripture of Eastern Han and Three Kingdoms.
第二章分析东汉三国汉译佛经的叙事时空。
10.
A Comparative Study of the Narrative Strategies Between Ceremony and A Dream of Red Mansions;
异曲同工:叙事透镜中的深邃主题——印第安裔小说《仪典》与《红楼梦》叙事策略比较
11.
The publication in 1812 of the first two cantos of Childe Harold’s Pilgrimage, brought Byron fame.
拜伦早期代表作是长篇叙事诗《恰尔德.哈罗德游记》第一，第二章（1812）。
12.
Fragmentation, Spiral and Repetition--Brief Comments on Narrative Features of Catch-22;
碎片,漩涡与重复——浅论《第二十二条军规》的叙事特点
13.
Historical Introspection and Narrative Arts of HuaQiang --and Compared with Catch 22;
《花腔》的历史反思与叙事艺术——兼与《第二十二条军规》比较
14.
On Metafictional Narrative Strategies of Horizontal Narrative Discourse and "Fragment" Narration in Zuckerman Trilogy;
“佐克曼三部曲”的元小说叙事策略：碎片叙事及非线性叙事话语研究
15.
His second account markedly departed from the first.
他的第二次叙述和第一次有明显出入。
16.
The Demarcation Between Heterodiegesis and Homodiegesis:On Two Types of Embedded Narratives;
异质叙事与同质叙事的分野:嵌入叙事的二分法研究论略
17.
Multiple Points of View and The Disappearance of Narrative Authority--On As I Lay Dying from the Narrative Point of View;
多角度第一人称叙事与叙述权威的消亡——论《我弥留之际》的叙事视角
18.
second fundamental form of a surface
曲面的第二基本形式