1.
Academic Significance of Traditional Vocality and Successful Experience of Guo Lanying;
传统声乐理论的现实意义与郭兰英的成功经验
2.
The Scientific Theory of Using "Bel Canto" for Reference in Preserving the Charm of Folk Vocalism;
在保存民族声乐传统韵味中借鉴美声唱法的科学理论
3.
Theories and Technical Preparations of the Survey of Traditonal Folk Music;
民间传统音乐调查的理论和技术准备
4.
The Idea "He" in Chinese Traditional Musical Aesthetics;
论中国传统音乐美学中的“和”理念
5.
Future of Chinese Traditional Music: Diachronic and Synchronic Perspectives;
传统的音乐和音乐的传统——论传统音乐的时空观
6.
SHEN-Yue s Theory of “Four-Tones” Taking Shape in “Four-Image” Theory in Traditional Culture;
沈约“四声”说本于传统文化之四象理论
7.
The Effect of "YUE FU CHUAN SHENG" on the Contemporary National Vocal Singing;
试论《乐府传声》对当代民族声乐演唱的借鉴意义
8.
Understanding the Theories of Traditional Music from Musical Practices;
从音乐实践中认识传统乐学理论——评黄翔鹏《中国传统音乐180调谱例集》
9.
Study on Teaching Theory and Practice of Korean Traditional Music Culture;
韩国传统音乐文化与教学的理论与实践研究
10.
The theory or study of the physical properties and characteristics of musical sound.
和声学乐声物理性质的理论或研究
11.
Divinity Abatement and Rationality Conversion--On the Track of Social Status of Chinese Ancient Music From Traditional Music Theory;
神性祛昧与理性皈依——由中国传统乐论看音乐社会身份的流变
12.
On the gong diao of Chinese Traditional Music Theory;
一种体系 两个系统——论中国传统音乐理论中的“宫调”
13.
On Impart And Inherit The Traditional Music Culture With Its Communication;
论传统音乐文化的传承与传播(下)
14.
On Impart And Inherit The Traditional Music Culture With Its Communication(I);
论传统音乐文化的传承与传播(上)
15.
On the development of consonance in the science of harmony;
管窥传统和声理论中协和性原则的历史发展
16.
Influence of Chinese Traditional Culture on Traditional Music;
简论中国传统文化对传统音乐的影响
17.
Discrimination between the musical form in traditional analysis and the form in Schenkerian approach;
申克音乐理论体系“形式”与传统曲式理论“曲式”的差异
18.
Theory and Practice of Relationship of Gong and Jiao;
宫——角关系的理论与实践——中国传统基础乐学理论研究之三