1.
On the Practical Writing Theory and Modern Meaning of the Literary Mind and the Carving Dragons;
略论刘勰《文心雕龙》应用文体理论及现代意义
2.
On the Literary Theoretical Significance of the Stylistic Theory in Carving Dragon with Mind;
《文心雕龙》文体论的文学理论意义
3.
The Development of the Theory on Official Documents Style during the Period of Han & Wei Dynasties and Six Dynasties;
论汉魏六朝公文文体辨析理论的发展
4.
The Theory of Typeface the Rationale of Chinese Characters' Configuration
“体”论——论中文字体构形之理据
5.
Literary Theory: the Way It Is Taught and the Way It Is Theoretically Explored;
文学理论:从教学形态到理论本体探讨
6.
Literary Translation Criticism in the Framework of Intertextuality Theory;
以互文性理论构建文学翻译批评体系
7.
On the Literary Activities of Emperor Xiao Gang and His Literary Ideals of Palace Style;
论萧纲的文学活动及其宫体文学理想
8.
On the Theoretical Default of the Article "Style Determined by One s Nature" in The Literature Mind and the Carving of Dragon;
论《文心雕龙·体性》篇的“理论缺省”
9.
The Theory Transition of Ontology in Chinese Aesthetic Education
语文课程审美教育本体论的理论变迁
10.
A Study of Form Distinction in Classical Poetics in light of Stylistics;
文体学视角与古代诗学辨体理论研究
11.
Stylistic Features of English Sports News in the Framework of Register Theory
语域理论下英语体育新闻的文体特征
12.
The Trends Carding in "Literary Subjectivity" and Deep Reflection
文学主体性理论趋势梳理和深层反思
13.
Outline of Literary Affection Ontology;
文学的情意本体论纲要——文学理论元问题研究
14.
Some Academic Ideas about the Study of Ancient Literary Theory ──A Concurrent Discussion on the Three volume "Ancient Literary Theory System;
古文论体系研究的学术理念──从三卷本《中国古代文学理论体系》谈起
15.
Dissertation about Tool and Subject of Culture Enlightment--Discuss the construction of Culture Enlightment Theory in the Strength of Moluosspoetry;
文化启蒙的工具论和主体论——论《摩罗诗力说》对文化启蒙理论的建构
16.
Principles--Theories--Techniques On Trinity Theory of Wenxindiaolong;
道理—学理—术理——《文心雕龙》研究“三位一体”论
17.
Reflections on the Theory System Construction and Innovation of Music Culture Studies;
音乐文化学理论体系构建与创新思考
18.
Risk Management and Insurance for Large-scale Cultural and P.E.Activities;
论大型文化体育活动风险管理与保险