1.
The Cohesive Relationship between Shu Hui Drama of the Yuan Dynasty and Shui Hu Zhuan;
试论元代水浒戏与《水浒传》之间的相承关系
2.
Yuan Dynasty Opera Based on The Water Margin and the Early development of Its Poetic Structure;
元代水浒戏与《水浒传》诗性结构的先期发育
3.
The Comparison of the Play of Shuihu and All Men are Brothers;
元杂剧水浒戏与小说《水浒传》比较
4.
A Comprehensive Study of Traditional Operas of "Water Margin" in Yuan Dynasty,Ming Dynasty and Qiing Dynasty --A review of Mr.Jiang zhijun s"On Traditional Operas of Water Margin;
一篇综论元明清水浒戏的力作——江蛰君先生遗稿《论水浒戏》读后
5.
The Manifestations and Causes of Yuan Multi-opera Writes Personality Ideal in Shuihu Plays;
元杂剧作家人格理想在水浒戏中的表现及成因
6.
The Evolution of the Heroes of the Outlaws of the Marsh from Yuan Za JU;
水浒英雄在元杂剧与《水浒传》中的嬗变
7.
Interrogative Pronouns in the Dialogues and Soliloquies in the Selections From Yuan Drama--Comparison With Tales of Xuihu Rebels;
《元曲选》宾白疑问代词考察——兼与《水浒全传》比较
8.
The Comparison of Female Characters in the Play of Shui hu And in the All men are brothers;
水浒戏中的搽旦与《水浒传》中的女性形象
9.
The Interpretation of Shuihu Drama on the Water Margin in Ming Dynasty and Its Positive Significance
明人水浒戏对于《水浒传》的诠释及其积极意义
10.
Relationship between Shuihu multi-operas in the Ming Dynasty and Water Margin;
明代水浒杂剧与《水浒传》的关系度
11.
Dialectal Appellation of Couples of Song and Yuan Dynasty in Outlaws in the Marsh;
《水浒》中宋元时期的夫妻称谓方言
12.
On the Plurality of "Loyalty" in the Narration Structure of Outlaws of the Marsh;
论《水浒》叙事结构中“忠”的多元性
13.
On the Versatility of the Subject & Connotation of Value in the Novel Shuihuzhuan;
论《水浒传》题材及价值内涵的多元性
14.
Summary on Modern Adaptation of All Men Are Brothers;
《水浒》中相关题材现代改编情况综述
15.
Shuihuzhuan s Impact on Chinese Ancient Novels of Adulterous Affair;
《水浒传》对中国古代奸情小说的影响
16.
The modern exposition on Ye Zhou s criticism of Water Margin;
叶昼《水浒传》批评思想的现代阐释
17.
Modern Interpretation of Li Zhi s Critical Thought on All Men Are Brothers;
李贽《水浒传》批评思想的现代阐释
18.
From the Shuihuzhuan to Know Crime of the Ancient China Society;
从《水浒传》看古代中国社会的犯罪