1.
Analysis of Diversity in Pipa Music Creation in Late 20~(th) Century
浅析20世纪后期琵琶音乐创作的多元性
2.
The Plurality Interpretation of Chinese Pipa Musical Creation Since 1980s;
二十世纪八十年代以来中国琵琶音乐创作的多元性阐释
3.
Following these, the great master of national music Liu Tianhua produced erhu and pipa works which showed a spirit of creative exploration.
其后，国乐大师刘天华在二胡曲、琵琶曲创作上作了创造性探索，
4.
Musical portrayal in Travel Notes of Laochan and Song of Pipa;
《老残游记》与《琵琶行》的音乐描写
5.
The Comparison Between Two Poems in Music;
《琵琶行》与《李凭箜篌引》音乐描写比较
6.
On the Diversity of Musical Language Expression in Playing Lute
论琵琶演奏音乐语言表现力的多元性
7.
The Influence on Performance of Nanyin Pipa by Musical Culture in Han Dynasty
汉代音乐文化艺术对南音琵琶演奏艺术的影响
8.
The Influence of Transplanted Music of Pi-pa the Development of Pi-pa Art;
琵琶移植乐曲对琵琶艺术发展的影响
9.
Critics, Quotations and Press Reviews
报纸专家和听众对刘芳琵琶古筝音乐的评论
10.
On the Development of Music Sense in the Teaching of Pipa;
感于内而形于外——论琵琶教学中音乐感的培养
11.
The Application of Accompaniment in Folk Music--Pipa in Ming and Qing Dynasty
明清时期琵琶在民间音乐伴奏中的运用
12.
A Masterpiece Transformed from Musical Art to Linguistic Art--On Musical Image of Pipa Song
音乐艺术向语言艺术转化的典范——浅论《琵琶行》中的音乐意象
13.
The concert featured a classicial combination of various Chinese instruments,such as the Guzhen,Pipa and others.
整场音乐会穿插着一些中国古典乐器的表演，如琵琶、古筝等等。
14.
The pipa is a sonorous, four-stringed, pear-shaped instrument held upright on the lap.
琵琶是一种音色清亮的四弦乐器，其形如梨，演奏时被竖抱于膝上。
15.
LI> Instruments: Bang Di、 Pipa、 Stell Guitar、 Elec. Piano、 Dub. Bass、 Ethnic Percussion.
配器：梆笛，琵琶，民谣钢弦吉他，电钢琴，爵士低音贝斯，民族打击乐器。
16.
Contradiction in the Teaching of Lute New Learners in Education Department of Teachers College and Countermeasures;
高师音乐教育专业新生琵琶教学中的矛盾及解决思路
17.
The Emotions in the Lute Music--the Use of Lute in Chinese Gongfu films;
四弦千遍语 一曲万重情——谈琵琶曲在中国新武侠电影音乐中的应用
18.
On Bai Chuyi's Affection for Music from the Western Regions Embodied in The Song of a Lute
秋月荻花 瑟瑟胡曲——从《琵琶行》看白居易的西域音乐情结