1.
The Use of Life Symbols in the Taohuawu New Year Woodblock Prints in Suzhou
生命寓意在苏州桃花坞木版年画中的运用
2.
Reason for the Formation of Elegant Style of Early Taohuawu New Year Prints;
早期桃花坞木版年画雅致风格形成的原因
3.
An Analysis of the Differences between Japanese Yamato-e and the Chinese Tao Hua Wu New Year Woodblock Prints Form the Point of Nationality;
从民族性格解读日本浮世绘与中国桃花坞木版年画
4.
Researching about Gusu Engraving of Taohuawu Woodcutting New Years Prints;
苏州桃花坞“姑苏版”木刻年画研究
5.
Investigation and Thought of New Year Woodcut made in Yangjiabu,Weifang
对潍坊杨家埠木版年画的调查及思考
6.
The Study on Inheriting and Propagating Design in the Yangliuqing Wood Lunar New Year s Painting;
杨柳青木版年画传承与传播设计研究
7.
On Brand Re-positioning of Zhuxianzhen Woodcut Printed New Year Picture;
朱仙镇木版年画品牌再定位策略研究
8.
Study on the Images of Female Figures in Chinese New-year Folk Wood Engravings of Qing Dynasty;
清代民间木版年画女性人物图像研究
9.
Comparison between Zhuxianzhen Graphic Arts and Ukiyoe;
朱仙镇木版年画与日本浮世绘之比较
10.
A Study on the Origin of Fengxiang Board Pictures and its Aesthetic Value;
凤翔木版年画源流及其美学价值初探
11.
The Development and Evolution of Door-God s Modeling in the New Year s Graphic Pictures;
木版年画中“门神”造型的发展与演变
12.
The Treasure of Folk Art --The New Year Wood Engraving in Zhuxianzhen;
民间艺术的瑰宝——朱仙镇木版年画
13.
Inheritance Way of Modern Graphic Wooden Arts in Liangping
梁平木版年画工艺当代传承方式研究
14.
etchings, woodcuts, lithographs;
蚀刻、木刻、平版画；
15.
The woodcut reproduced below circulated in print in the1520 s.
下图重现的是16世纪20年代流通的木版画。
16.
Wood engraving new-year painting is a gold in the art mine.
木版年画更是这个艺术宝库中的一朵奇葩。
17.
The Protection and Development of Folk Art of the Yangjiabu Wood Engraving Picture in Weifang;
潍坊杨家埠木版年画民间工艺的保护与开发
18.
The Study of Artistic Value and Cultural Implications of Yangliuqing Wood Engraving Picture;
浅谈杨柳青木版年画的艺术价值及文化意蕴