1.
The Consideration on Culture Shape of Chinese Modern Watermark Print Language;
对中国现代水印版画语言文化形态的思考
2.
On Reproducing Visual Images of Wang Wei's Pastoral Poems in English
论王维山水田园诗英译版本中的画语言再现
3.
original engraving, print and lithograph
原版画、印刷画和平版画
4.
The Inspiration of the Layout of Brochure Design from the "Space" Form of Song Academy Landscapes;
宋代院体山水画的“空间”语言形式对商业型录版式设计的启示
5.
The water woodcut was initiated in Jiangsu Province in the 1960s,
60年代江苏兴起水印版画。
6.
Advantage of the Destroyable Watermark Woodcarving for the Chinese Creative Woodcarving
论绝版水印木刻在中国创作木版画中的优势
7.
Why cannot Chinese Modern Engraving Turn to the Contemporary?--Engraving Aphonia and Language Transfer
中国现代版画何以不能转向当代?——版画之失语与语言转换
8.
On the Reprinting of A Model book on Raintings from Ten-Bamboo study;
朵云轩木版水印与《十竹斋书画谱》的重梓
9.
Watermark Print Unique Artistic Charm
论水印版画独特的文化意义和艺术魅力
10.
The Comparison in Painting Languages between Chinese Landscape Painting and Western Landscape Oil Painting;
中国山水画与西方风景油画绘画语言之比较
11.
Interpreting and Structuring the Black and White Language of Modern Wood Engraving Art;
我国现代木版画黑白语言的解读与建构
12.
Artistic Features and Model Language of Zhuxianzhen s Wood Engraving;
论朱仙镇木版年画的艺术特色及程式化语言
13.
printing of line engraving
线雕(刻)版画印刷(术)
14.
A print or engraving made by using such a plate.
铜凹版印刷品用铜凹板印制的印刷品或版画
15.
Fusion and Boundary--A Restrited View of Chinese Modern Watercolor from the Paintings Language;
融合与边界——从绘画语言管窥中国当代水彩画
16.
A Study on Merging National Painting Language in Skills of Watercolor Painting;
浅谈水彩画技法中民族绘画语言的融汇
17.
The Invariability and Variability in Watercolour;
论水彩画本体语言的恒定性与变化性
18.
Look Epochal Character and Production of Landscape Painting s Discourse from Shi Lu;
从石鲁看时代性与山水画语言的生成