1.
On the Formation of the Idea of Adoring Abstraction in the Landscape Paintings and the Poems for Them in Song Dynasty;
论宋代山水画及题山水画诗中尚意观的形成
2.
The Plainness and Pedestrianism--The Orientation of Aesthetics of Song Dynasty Scenery Painting;
平远尚淡——宋代山水画论的审美取向
3.
The Confucianism and its influences upon the paintings in the Song dynasty;
理学人格对宋代山水画审美理想的影响
4.
How Landscape Poetry Borrows Aesthetic Function from Landscape Painting by Combining Heart with Mind;
丹青吟咏 妙处相资——宋代山水画“吟咏情性”与“诗人相表里”
5.
Like the flowers and bird paintings and figure paintings of the period, the mountains and water paintings of the Song Dynasty were very realistic.
宋代山水画的共同特点也像当时的花鸟、人物画一样，强调师法造化，比较写实。
6.
The Poets’ Self-presence in the Poems for Landscape Paintings in the Song Dynasty;
论宋代题山水画诗“画中有我”的自寓性
7.
Mountains and water painting, too, reached a peak in the Song Dynasty.
到了宋代，山水画达到鼎盛，
8.
Analysis of the Composition Features of the Landscape Paintings in the Five Dynasties and Song Dynasty;
浅析五代、两宋山水画的空间布局特征
9.
The Influence of the Geomantic Omen on Landscape Paintings of Five Dynasties to Early Song Period;
由五代宋初山水画论看风水学对山水画成熟的影响
10.
A Comment on the Cun Method of Chinese Landscape Paintings in the Period of Five Dynasties and Early North Song Dynasty;
五代北宋初期中国山水画创作皴法简评
11.
The Scenery Has the Boundary--Song Yuan Landscape Painting Composition Evolution and Drawing Thought;
山水有境——宋元山水画构图演变及绘画思想研究
12.
The Inspiration of the Layout of Brochure Design from the "Space" Form of Song Academy Landscapes;
宋代院体山水画的“空间”语言形式对商业型录版式设计的启示
13.
Differences within Similarities--Reading Northern Song Landscape Paintings and Barbierian School
同中之异——读北宋山水与巴比松画派
14.
Song and Yuan Style Ink Pen and Ink Landscape Painting Tradition and Innovation
宋元水墨山水画笔墨风格的继承与创新
15.
Study of Ideas and Opinions in Chinese Landscape Painting from Wei, Jin to Song, Yuan Dynasties;
魏晋至宋元时期中国山水画思想观念研究
16.
The Spirit of Scholars and the Aesthetical Trend of Landscape in the Song Dynasty;
两宋士人的书卷精神与山水画的审美取向
17.
The tendency towards conscious simplicity in landscape paintingsduring the song Dynasty;
试论两宋时期山水画的自觉简略化倾向
18.
The Confucianism and criteria of the paintings in the Song;
两宋时期理学对山水画批评标准的影响