1.
The Adaptation and the Recreation of the Ming Dynasty upon YI Jian-zhi;
明代戏剧对《夷坚志》的改编再创作
2.
A research on the roving experience of Ming’s dramatist Shen Zizheng;
关于明代戏剧家沈自征经历的一段史实考辨
3.
Similarity in Difference Difference in Similarity--A Comparative Study of Gualini and Weijias Dramatic Theory and that of Ming Dynasty in China;
异曲同工 同工异趣——瓜里尼、维加的戏剧理论与中国明代戏剧理论的比较
4.
On the Progress in the Achievement of Ming-dynasty Plays through Comparison between Yuan-dynasty and Ming-dynasty Block -printed Edition Yuan Poetic Dramas;
从元杂剧元明刊本之比较论明代戏曲的进步
5.
Brief Discussions on the Influence of the Fashion Culture in Ming Dynasty on the Traditional Drama Costumes;
浅谈明代服饰文化对传统戏剧服装的影响
6.
On the Contribution and Impact of Jing-jiang King in Ming Dynasty on Guiling Drama
明代靖江藩王对桂林戏剧的贡献和影响
7.
Written by the famous playwright Tang Xianzu (1550 - 1616), the peony Pavilion is not only one of China's greatest dramas, but also a perennial favorite on the Kunju stage.
《牡丹亭》是中国明代杰出的戏剧家汤显祖的经典著作，也是昆剧舞台上最有代表性的剧目。
8.
FAMILY:TRAGEDY FOR FEMALES --Tragicism in Modern Feminist Drama;
家:女性的悲剧——现代女性戏剧之悲剧论
9.
These events dramatize the lack of social responsibility among today's youth.
这些事件戏剧化地表明了在当今时代的青年之中是缺少。
10.
Brief Talk Intelligent Impedeing The Comedy Theme Reaches to Show the Measure;
《聪明误》的喜剧题材及其戏剧史意义
11.
Bali theatre influenced the West theatre of post- modernism through Artaud and his theory of "cruel theater".
巴厘戏剧通过阿尔托的“残酷戏剧”理论，影响到西方现代派戏剧。
12.
Yu Shangyuan s Drama Career and His Contribution to Modern Chinese Drama;
终身做戏剧的仆人——余上沅的戏剧道路及其对中国现代戏剧的贡献
13.
On the Formation of the Objective and Realistic Form of Modern Chinese Theatre;
论中国现代戏剧客观写实戏剧形态的形成
14.
Early Modern Drama: The Prologue to the Modernization of Chinese Theatre;
早期话剧:中国戏剧现代转型的序幕
15.
Transformation of Traditional Drama as seen in Model Opera;
从“革命现代京剧”看传统戏剧的转型
16.
Maitrisimit and Chinese Plays--Ancient Uyghur Plays and Chinese Plays;
《弥勒会见记》与中国戏曲——古代维吾尔族戏剧与中国戏剧之刍议
17.
"In the course of the Ming dynasty, the zaju began to decline, and by the second half of the 16th century it had been replaced as the major theatrical style by a form of drama from south China."
杂剧从明代开始衰落，到16～世纪后半叶已被另一种来自南方的戏曲取统治地位而代之。
18.
Comment on Chinese Post-Modern Drama in 1990’s;
20世纪90年代中国后现代戏剧之批判