1.
On the Aesthetic Characteristic of the Theory of Drama-opera Integration of Chinese National Opera;
论中国民族歌剧“戏歌综合”理论的美学特征
2.
Analysese of the Applications and Performances of the XiQu Rhythm on Chinese National Opera;
浅析中国民族歌剧中戏曲板式的运用及演唱
3.
An Inquiry into the Causes of Imbalance in the Progression of Chinese National Opera;
中国民族歌剧发展道路不均衡性原因探析
4.
The History and Reflection of Chinese National Opera
中国民族歌剧的历史发展概述与现状反思
5.
Changing Dualism(Eastern &Western)into Pluralism;
化“中西”为“多元”——从中国民族歌剧《原野》的音乐创作谈起
6.
A Brief Account to the Influence of Western Operas on Modern Chinese Operas;
浅论西洋歌剧对中国现代民族歌剧的影响
7.
The Statement of the Nationalization Process of the Chinese Opera Creation in 20th Century;
论20世纪中国歌剧创作的民族化进程
8.
On the Combination of Nationalization and Diversification of Chinese Opera Creation;
论中国歌剧创作民族化与多元化的结合
9.
Reflections on Developing Opera Art of Chinese Ethnic Minorities
发展中国少数民族题材歌剧艺术的几点思考
10.
Probing into the Dramatic Issues in the Music of Japanese National Opera--Twilight Heron
日本民族歌剧《夕鹤》中音乐戏剧性问题的探究
11.
Beijing opera is the quintessence of Chinese culture.
京剧是中华民族的国粹。
12.
Judging from Dong Nationality songs to know the scemmary of Chinese national complen voice;
浅谈中国多声部民歌中的“侗族大歌”
13.
On the Relation between Aria Libretto and Opera Elements--Taking the opera "The White Haired Girl" as an example;
歌剧咏叹调唱词与歌剧戏剧元素的关系——以民族歌剧《白毛女》为例
14.
"Power" of Throat in Singing: After Watching Historical Opera Crying into the Air
歌唱中喉器的“力量”——观民族历史歌剧《仰天长啸》有感
15.
Creating National Theater to Represent National Heart and Soul--Criticism of Yu Shangyuan s National Theater Theory;
创建表现民族精神和民族灵魂的中国剧——余上沅国剧理论评析
16.
The Unusual Position of the Dong Chorus in Chinese Polyphonic Folk Songs;
侗族大歌在中国多声部民歌中的独特地位
17.
Poetry of Chinese Ethnic Minority Group: From the Perspective of Sanskrit Poetics;
梵语诗学视野中的中国少数民族诗歌
18.
KNOWING THE NATIONAL FEATURES OF CHINESE CLASSICAL TRAGEDIES FORM AN UNJUST VERDICT ON DOU E;
从《窦娥冤》看中国古典悲剧的民族特征