1.
Analysese of the Applications and Performances of the XiQu Rhythm on Chinese National Opera;
浅析中国民族歌剧中戏曲板式的运用及演唱
2.
On“Jiqu and the Variational Style of Banshi”in Chinese Opera Singing;
试论戏曲唱腔的“集曲板式变化体”
3.
Stylized Movement in the Traditional Chinese Opera and the Personality of the Character--On the Performing Art of the Traditional Chinese Opera;
戏曲程式与人物性格——戏曲表演艺术谈
4.
Origin and Cause of the Transformational Rhythm Idea in the Traditional Drama Music;
论戏曲音乐板式变化体节奏思维形成的渊源及其成因
5.
Dramatic Terms "Ke", "Jie" and Their Origins of Rites in the Northern and Southern Classical Chinese Dramas;
戏曲术语“科”、“介”与北剧、南戏之仪式渊源
6.
Discourse in the Model Operas, its Inheritance and Deviation from the Ancient Chinese Opera;
“样板戏”话语对传统戏曲话语的传承与偏离
7.
Gun tune, banqiang style and self-salvation of traditional Chinese opera--A serial study on the dissemination history of the ancient Chinese opera (5);
滚调、板腔体与戏曲的自我救赎——“中国古代戏曲传播史”系列研究之三
8.
Constant Seeking for New Form: An Inspection on Art of Chinese Traditional Opera;
戏曲艺术:不断地探寻新形式——戏剧反思录之二
9.
As the current most ancient drama form, Kunqu Opera is one of the original three of the world's largest ancient dramas.
昆曲，中国现存最古老的戏曲形式，世界古代三大戏剧源头之一。
10.
Cultural Implication and Historical Destination of the Stylization of Traditional Opera;
戏曲程式的文化蕴涵与历史命运——兼论现代戏曲符号体系的建构
11.
On the Features of Melody and Mode in Xibe Drama Music;
论锡伯族戏曲音乐的旋律及调式特征
12.
On the Autobiographical Lyricism of WU Mei-cun s Dramatic Creation;
论吴梅村戏曲创作自叙传式的抒情性
13.
Research on Creation of Shape about the Stage Lighting of Opera and Drama
戏曲与话剧舞台灯光的形式创新研究
14.
Generalizes rigid discourse patterns of Model Operas;
论“样板戏”话语中僵化雷同的模式话语
15.
More than I50 plays were presented in 23 different types of classical Chinese theatre.
调演期间共演出了包括23种戏曲形式在内的150多出戏。
16.
Thirdly, dialects are permitted only for artistic pursuits like theatre and film productions.
三是戏曲、影视等艺术形式中需要使用的；
17.
The Influence of Novel Narration Mode on Chinese Classical Drama Tragedy;
“小说化”叙述方式对中国古代戏曲悲剧的影响
18.
The Original Exploration of the Affixation Complex-tone Words’s Word-building Manner in the Tang Xian-zu s Play Works;
《汤显祖戏曲集》附加式双音词构词法初探