1.
This film will give print better contrast and more accurate color rendition.
这底片将使照片具有更好的明暗对比和更逼真的色彩。
2.
Such ornamental work represented two dimensionally by chiaroscuro.
细工饰品通过明暗对比表现出两维性此种装饰品
3.
Through repetition of the rhythmic syncopation, with alternation of scattered and concentrated notes, and contrasts of light and dark tones,
乐曲通过切分节奏音型的重复，以散音、按音交替运用产生的音色明暗对比，
4.
moving or still pictures in contrasting colors that appear three-dimensional when superimposed.
当重叠时呈现出明暗对比强烈的颜色的三维结构的动态或静止的图片。
5.
light and shade contrast
明暗反衬，明暗对照
6.
This artist uses contrast between light and dark skilfully.
这位画家巧妙地运用明暗的对比。
7.
Contrast: The brightness difference between the light and th dark tones of original or image.Also used to ddescribe the property ofa photographic material.
对比:原稿或图像里的明暗差别的亦用来表示照材料的明暗差别。
8.
The scarlet leaves of the maples contrast well with the dark green of the pines.
深红的枫叶和暗绿的松树形成了明显的对比。
9.
They decided to kick him upstairs and appoint a younger man to take his place.
他们决定对他明升暗降，让一位比他年轻的人来接替他目前的职位。
10.
It is touched upon in "Love Among the Haystacks,"adding the lights and darks of contrast.
笔触所及,在《大草垛中的爱情》中更增强了光明与黑暗的对比度。
11.
He touched up the picture by strengthening highlights and shadows.
他把那幅画修饰了一下,使光亮部分和阴暗部分的对比更加鲜明。
12.
On the dresses comparison of Chinese Tang Dynasty and Western Middle Ages;
昙花一现与黑暗中的光明——中国唐代与西方中世纪服饰对比研究
13.
Wang Ping: It means not to be too apparent and have a competi- tion secretly.
王平: 就是不要太明显，要暗暗比试的意思。
14.
The arrangement of light and dark elements in a pictorial work of art.
明暗处理一件绘画艺术品中对明、暗要素的安排
15.
Cultural Comparisons in Translation of Simile and Metaphor;
明喻和暗喻翻译的文化比较(英文)
16.
The Light in the Darkness and the Darkness in the Light;
黑暗里的光明与光明里的黑暗(下)──诗人朱湘与顾城的比较
17.
The bright, shiny appearance of some nylons contrasts sharply with the relatively dull surface of wool.
某引起尼龙纤维光亮的外观与羊毛纤维色光比较暗淡的表面形成了鲜明的对比。
18.
"Color was used for contrast, without concern for the light source or the environment. The spirit and essence of an object were more important than its outer form."
中国画的色彩用以表现对比，而不太考虑明暗光源和环境因素。物体的神似比其形似更重要。