1.
It also shows the aesthetic values of the time.
它也显示出当时的社会审美时尚，
2.
Contemporary Aesthetic Fashion: Cultural Logic of Consumer Society;
当代审美时尚：消费社会的文化逻辑
3.
Meditation on Body Aesthetic Fashion of Female on Bioethics from the Perspective of Feminism
女性之身体审美时尚的生命伦理沉思——以女性主义为视角
4.
Surrounding and Popularity as the Factors of Personality-shaping of Students Aesthetic Psychology;
环境·时尚:学生审美心理的个性形成
5.
Aesthetic Features of the Sunglass Fad from the Perspective of Accepting Aesthetics;
从接受美学的角度解读太阳镜的时尚审美特征
6.
The Aesthetic Redeem of Modern Life:The Fashion Theory of Simmel;
现代生活的审美救赎——齐美尔的时尚理论
7.
Aesthetic Sentiment and Commercial Value of Fashion Illustration in the Visual Era;
时尚插图在视觉时代中的审美情趣和商业价值
8.
Vogue and Quintessence:Advancement of the Aesthetic Culture in Art Deco;
时尚与经典:浅析装饰艺术审美文化的发展
9.
On the changes of the aesthetic vogue in Wei & Jin dynasty based on Shi Shuo Xin Yu;
从《世说新语》看魏晋时期审美风尚的变迁
10.
Common Embodiment between the Yao Nationality Clothing and Fashion Aesthtics
瑶族服饰语言与现代时尚审美的共性体现
11.
Emergence and Changes of New Aesthetic Trend and Culture--Reflection on Changes of Current Aesthetic Fashion
审美新潮的涌动与审美文化的转型——中国新时期审美风尚的变迁及思考
12.
Simplicity and Immaturity: Studying the Zhuang Ethnic Minority Culture-Ecological-Aesthetic Vogue in Remote-Antiquity Aesthetic Trace;
朴而拙:从远古时代的审美印记看壮族文化生态美的风尚
13.
The Renaissance. The inspiration of the Pulsar Collection. Timepieces that incorporate the most modern technology and the high aesthetics of the Golden Age.
文艺复兴，琶莎手表灵感创新，时尚技术和高等审美组合的黄金时代。
14.
Discussion on Shih-shuo Hsin-yu and Prevailing Aesthetic Custom of Intellectuals in Wei-Jin Dynasties;
论《世说新语》与魏晋士人的审美风尚
15.
The Plainness and Pedestrianism--The Orientation of Aesthetics of Song Dynasty Scenery Painting;
平远尚淡——宋代山水画论的审美取向
16.
The aesthetics influence of official selecting system of Sui Dynasty;
隋代选官制度变迁下的审美风尚试析
17.
Study on the Naturalness in Calligraphy during the Wei and Jin Dynasty;
魏晋书学中崇尚“自然”的审美观研究
18.
Being Observed Advocation Artistic Conception of Calligraphy in Song Dynasty from Calligraphy of SuShi;
从苏轼书法看宋代书坛的“尚意”审美观