1.
A Study of Teng Gu's Historiography of Chinese Painting History during the Republic of China between 1912 and 1949;
1912-1949年民国绘画史学史视野下的滕固史学
2.
The Best in Modern Chinese Folk Painting
中国现代民间绘画选萃
3.
The Establishment of the System of Chinese Painting History in Modern Times-Comment on Three Works of Painting History during the Republic of China;
现代中国绘画史学体系的建构——评民国时期三部绘画史著作
4.
hand painted Chinese picture
国画（中国传统绘画）
5.
an exhibit composed of French paintings;the many ethnic groups that compose our nation.See Usage Note at comprise
一次法国绘画展；构成我们国家的多种民族参见
6.
Application of Folk Painting Colors in Modern Art Design;
民间绘画色彩在中国现代艺术设计中的运用
7.
Folk Craftwork,Sculpture Works and Paintings of the Dangxiang People in the Rein of the Western Xia Dynasty;
党项族西夏王国的民间工艺及雕塑绘画品
8.
Times and Nationality of Chinese Contemporary Painting;
对中国当代绘画的时代性与民族性的思考
9.
Different Forms of Chinese and Western Paintings
中国绘画与西方绘画不同空间的表现
10.
His painting style combined fine brushwork with freehand brushwork, traditional Chinese skills with Western skills, and the work of the Chinese literati with folk paintings.
他把工笔与写意结合起来，把中国传统画法与西洋画法结合起来，把文人画与民间绘画结合起来。
11.
The Significance of Minority People-Based Paintings in the Fine Arts Teaching of Universities for Nationalities;
少数民族题材绘画在我国民族院校美术教育中的意义
12.
International Contest of Children's Painting on the Environment
国际儿童环保绘画大赛
13.
paintings of Three Kingdoms, Jin, Southern and Northern Dynasties
三国-两晋-南北朝绘画
14.
A Rustic Opinion of Research Methods and Compiling Styles of Painting History during the Republic of China
民国时期我国绘画史著研究方法与编撰体例刍议
15.
The Conjunction of the Chinese Classical Drawing and the Vicinity Modern Drawingin the West;
试论中国传统绘画与西方近现代绘画的契合
16.
An Analysis of the Differences between Japanese Yamato-e and the Chinese Tao Hua Wu New Year Woodblock Prints Form the Point of Nationality;
从民族性格解读日本浮世绘与中国桃花坞木版年画
17.
Chinese artists believe that calligraphy and painting share one common source.
国画家们相信书法和绘画是相通的。
18.
Chinese 60 s Oil Paintings Artist s Drawing Characteristic;
中国60年代油画艺术家的绘画特点