1.
Contribution of HUANG Ting-jian s Calligraphical Theories upon the Shu School Study of Song Dynasty;
黄庭坚书画理论对宋代蜀学的贡献——从苏黄对比谈起
2.
A Functionalist Approach to the English-Chinese Translation of Picture Storybooks;
从功能翻译理论角度看图画故事书汉译
3.
Style is the Man:Painting and Calligraphy;
画乃吾自画 书乃吾自书——从《平南论画》看魏晋南北朝书画自觉
4.
Painting,Calligraphy and Poem: Three Kinds of Artistic Uniqueness Achieved by Prof.Qigong s;
一生三绝画书诗——论启功先生的题画诗
5.
Harmony between Inscription Calligrphy and Artistic Conception in Chinese Painting
论中国画题款书法与画面意境的和谐
6.
Painting history equal to painting study: Deng Yizhe’s aesthetics in painting and calligraphy and its methodological significance;
画史即画学——邓以蛰书画美学及其方法论意义
7.
Sha MengHai s Calligraphy Thoughts and Chinese New Learning in the Early 20th Century;
试论《书画书录解题》一书的书法文献辨伪
8.
Reference and creation: discussing the application of traditional Chinese painting line-skill in fountain pen painting;
借鉴与创造——论中国书画线条在钢笔画中的应用
9.
Wishes and Paintings, Naivete Is Seen through Reading --Guo Xiangzheng s views on paintig and calligraphy;
心声与心画,开卷见天真——郭祥正的书画论
10.
The Significance to Contemporary Chinese Painting Drew from the Relationship between Calligraphy and Painting;
浅论古代书画关系暨书法对当代中国画的实践意义
11.
The Dilemma and Opportunities for the Development of the Original Picture Books
原创图画书发展的困境与契机——“中、日、韩图画书发展论坛”引发的思考
12.
Interpretation on Mature Form of the Theory of Landscape Painting: Huashanshui Xu and Xuhua
解读山水画理论的成熟形态——《画山水序》和《叙画》
13.
painting book for children (with or without subsidiary text)
儿童绘画书（不论是否有辅助课文）
14.
etching ,original, whether or not antique
蚀刻书画原件,不论是否古董
15.
engraving ,original, whether or not antique
刻版印书画原件,无论是否古董
16.
Chi's Logical Development of Literature And Art Theory in Ancient Chian
中国古代书画领域中"气"论的逻辑演进
17.
This book on oil painting belongs under "Fine Art".
这本论述油画的书应归在“美术”类里。
18.
On the Status of Writing of Lines in Contemporary Fine Brushwork;
论线的“书写性”在当代工笔画中的地位