1.
these works form a transition to free-sketch flower and bird painting.
这是继林良之后向写意花鸟的过渡。
2.
A Brief Talk on Creating Chinese Freehand Flower-and-Bird Painting in Class;
浅谈中国画教学中写意花鸟画的创作
3.
On Life Painting as a Vital Approach to the Creative Development of Flower-and-bird Painting in the Sketching-idea Manner: A Personal Reflection;
临场写生是写意花鸟画创新发展的重要途径
4.
Ink and Color Remaining in the World: A Study on Su Baozhen s Freehand Brushwork in Flower-and-bird painting;
彩墨精神留人间──苏葆桢写意花鸟画艺术探略
5.
An unique style with genuine and true feeling in Chinese painting of Ming & Qing dynasty
真率写情 独抒性灵——明清写意花鸟画的语境与变异
6.
An unique style with genuine and true feeling in Chinese painting of Ming & Qing dynasty;
真率写情 独抒性灵——明清写意花鸟画的语境与变异
7.
The article introduces the historical origin, the painting method and the painting process of enjoyable flower-and-bird painting, and emphasizes that ″enjoyable″ is the key of enjoyable flower-and-bird painting.
本文介绍了写意花鸟画的历史由来,作画方法等其他过程。
8.
His free-hand flower and bird paintings drew on the painting techniques of Xu Wei, Zhu Da, the Eight Eccentrics of Yangzhou and Wu Changshuo, thus showing his solid cultural foundation.
他的写意花鸟画上承徐渭、朱耷、扬州八怪以及吴昌硕，具有深厚的传统文化功力。
9.
He was good at landscape, flower and bird and figure paintings in both free sketches and fine brush work.
他山水、花鸟、人物皆精，工笔写意俱佳。
10.
On the Significance of Understanding the Free Style Character of the Yuanti Flower and Bird Paintings in the Early Period of the North Song Dynasty;
北宋前期院体花鸟画写意性的认知意义
11.
During the Song Dynasty, bird and flower paintings and free-style paintings all developed concurrently.
花鸟画和写意画在宋朝都得到很大发展。
12.
Ren learned figure painting from Chen Laolian, flower and bird painting from Xu Xi and Yun Gu, and free sketch painting from Xu Wei and Zhu Da.
任伯年学陈老莲人物，学徐熙、恽格没骨花鸟，学徐渭、朱耷写意，
13.
Most of their flower and bird paintings were drawn in free sketches,
他们的艺术大都取材花鸟，以写意为主要表现方式。
14.
Depicting the New Spirit with Painting Images: On Contemporary Chinese Flower - bird Painting Practice
用笔墨意象写时代新风——关于当代中国花鸟画创作实践的思考
15.
Bird Images in Qu Yuan s Sao-style Works and Their Influence;
鸟萃兮苹中——屈骚禽鸟意象书写及投影
16.
On Realistic Features of Flower-and-Bird Paintings in the Song Dynasty and Contemporary Times;
浅议宋代与现代花鸟画的“写实性”
17.
Of Chen Zaiqian’s Brushwork Paintings of Flower and Bird;
淋漓挥洒写丹青——陈再乾的花鸟世界
18.
"an ancient art, Chinese painting falls into three categories - portrait, landscape, flower-and-bird; and two styles meticulous and freehand."
作为一门古老的艺术，中国画包括人物，山水和花鸟三大类;两种风格:工笔和写意。