1.
On the Formation of the Objective and Realistic Form of Modern Chinese Theatre;
论中国现代戏剧客观写实戏剧形态的形成
2.
Yu Shangyuan s Drama Career and His Contribution to Modern Chinese Drama;
终身做戏剧的仆人——余上沅的戏剧道路及其对中国现代戏剧的贡献
3.
On the Archetypical Theme of "Run-away from Home" in Chinese Modern Drama;
中国现代戏剧中的“出走”原型主题
4.
Linguistic Reform and the Early Forms of Modern Chinese Dramas
语言变革与中国现代戏剧的初期形态
5.
A Study of Prototype Motifs in Modern Chinese Drama: Departure and Return;
中国现代戏剧原型主题研究之一:出走与归来
6.
Effects of Three World Drama Systems on Modern Chinese Drama Theories;
借鉴·继承·融合·创造——论世界三大戏剧体系对中国现代戏剧理论的影响
7.
Early Modern Drama: The Prologue to the Modernization of Chinese Theatre;
早期话剧:中国戏剧现代转型的序幕
8.
Comment on Chinese Post-Modern Drama in 1990’s;
20世纪90年代中国后现代戏剧之批判
9.
Chinese Theater in the 20~(th) Century: Its Modernization and Localization;
二十世纪中国戏剧的现代性与本土化
10.
The catalyzing of western drama to the"modernization/of Chinese classical drama advancement;
西方戏剧对中国古典戏曲“现代化”进程的催化
11.
Traditional opera to reflect modern life and opera modernization;
中国戏曲的世纪命题——戏曲表现现代生活及“现代剧”的确立
12.
Now, she is deputy to Shanghai People's Congress, director of Chinese Dramatists Society and a member of Shanghai Dramatists Society.
现为上海市人民代表、中国戏剧家协会理事、上海戏剧家协会会员。
13.
Break the Solid Ice of Chinese Traditional Drama--The Modern Drama Viewpoint of GaoXingjian from Savage
打破中国传统戏剧意识的坚冰——从《野人》看高行健的现代戏剧观
14.
The Acceptance and Creation: Chekhove s Drama in Modern Chinese Context;
接受与创化：现代中国语境中的契诃夫戏剧
15.
The Change and Development of Chinese Dramas in the Modernization Process;
中国戏剧在现代化进程中的变化与发展
16.
On the Aesthetics of Traditional Chinese Drama and the Modern Evolution;
论中国传统戏剧审美观及近现代的嬗变
17.
Nationality and Modernity of Chinese Drama--Discussing with Mr.DONG Jian;
中国戏剧的民族性和现代性——与董健先生商榷
18.
The Model of Dualism Opposite and the Pursuit for Modernity of China Drama in the Past Century;
二元对立话语模式与百年中国戏剧的现代性