1.
On the Change of Wang Xizhi's Position in the Theory of Calligraphy in the Tang Dynasty
略论唐代书学理论关于王羲之书法地位的变迁
2.
Li Shimin regarded Wang's calligraphy work as perfect.
李世民对王羲之书法认为已经达到了"尽善尽美"。
3.
On the Influence of Confucianists and Taoists Thoughts Upon Wang Xi zhi s Aesthetical Ideas of Calligraphy and His Calligraphy;
论儒道思想对王羲之书法美学思想及书法的影响
4.
On Cultural Origin and Aesthetics in the Tang Dynasty from Advocating Wang Xizhi s Calligraphy;
从崇尚王羲之书法看太宗朝文化渊源和审美理想
5.
On Calligraphic Spread of Preface to the Orchid Pavilion Collection by WANG Xi-zhi;
浅谈王羲之《兰亭序》书法艺术的传播
6.
Wang Xizhi is the grand master and founder of " Cao Shu "
王羲之是＂草书＂的鼻祖。
7.
Wang Xizhi was the grand master and founder of " Cao Shu" .
王羲之是“草书”的鼻祖。
8.
Wang Xizhi, who lived in the Eastern Jin dynasty, was best known.
生活在东晋的王羲之，是最著名的书法家。
9.
He learned much from the work of previous calligraphers, including the kai calligraphy of Zhong You, the cao calligraphy of Zhang Zhi and that of Li Si and Cai Yong.
王羲之楷书师法钟繇，草书学张芝，亦学李斯、蔡邕等，博采众长。
10.
The Fashion of Wei & Jin Dynasties & Wang Xizhi s Preface of Orchid Pavilion;
魏晋风度与王羲之《兰亭序》——兼论王羲之对后世书风的影响
11.
According to one, it was Wang Xizhi, the supreme calligrapher of China, that did the inscription.
有人说，这是书圣王羲之手笔。
12.
Zhong You and Wang Xizhi were representative calligraphers of the time.
代表书家是钟繇和王羲之。
13.
Lanting became known for Wang Xizhi and his Preface to Lanting.
兰亭，因王羲之与《兰亭序》而闻名于世，书法活动长盛不衰。
14.
almost all calligraphy works of the early Tang Dynasty were influenced by Wang Xizhi.
所以，唐初的书坛自然为王羲之书风所笼罩。
15.
The theory and practice of Wang Xizhi's calligraphy leads Chinese Character Writing to the top of the modern script.
王羲之的书法理论与实践,使汉字通过毛笔书写走上了今体书写科学的巅峰。
16.
Outside the hall is bronze tablet, on which 2564 characters were wngraved by calligraphers Wang Xiahi of the Eastern Jin Dynasty(371-420) and Chu Suiliang of the Tang Dynasty(618-907).
殿外有铜碑一块，上铸书圣王羲之、唐代大 书法家褚遂字迹共2564字，被视为全山之宝。
17.
an carver in Beijing once made an exact copy of piece of writing by the famous calligrapher Wang Xizhi (321-379) on a piece of ivory five millimetres in diameter.
北京的一位雕刻家曾在直径仅为5毫米的象牙片上雕刻了著名书法家王羲之的书法。
18.
The innovations on Wang Xizhi's calligraphy seen in the Yan and Liu styles of the Tang Dynasty arose
唐代楷书，特别颜体和柳体，是对王羲之书体的一种突破，