1.
Theory on the traditional opera temperament by Shen Chongsui;
沈宠绥的戏曲声律论──江苏古代戏曲家研究之五
2.
Funetions of Opera Literature on Opera Studies Based on the Analysis of Qu Lv
从《曲律》看戏曲文献对戏曲研究的功用
3.
On Relation between Vocal Music Technique of Drama and Aesthetics;
论戏曲教学中戏曲声乐技巧与审美的关系
4.
Tentative Ideas about Sound Production of Traditional Opera and Folk Art in National Vocal Music Education;
戏曲曲艺艺术用于民族声乐中的设想
5.
The leading part or the air in a harmonic composition.
主旋律，主声调和声乐曲中之主要声部
6.
On the Features of Melody and Mode in Xibe Drama Music;
论锡伯族戏曲音乐的旋律及调式特征
7.
The Contribution Of Pi-Huang Tune To Developing The Traditional Chinese Opera;
论皮黄腔在戏曲声腔发展史中的贡献
8.
Chinese National Singing Drawing on Opera Vocal Skills
民族唱法在戏曲发声技术中吸取精华
9.
Training and Protecting Boy Students Voice during the "Changing Sound Period" in Drama Performance Teaching;
戏曲表演教学中男生“变声期”的声音训练与保护
10.
the relationship of《zhong yuan yin yun》and 《qu Iv》;
《中原音韵》与《曲律》声律体制异同之辨析
11.
The Assimilation, Fusion and Development of Chinese Operatic Arts and National Vocal Music in Terms of Kunqu Singing
从昆曲演唱艺术看民族声乐对戏曲声腔艺术的吸收、融合与发展
12.
The Application of Slow Waving Note in Bel canto Singing Exercise;
戏曲发声技术“摇声练习”在美声歌唱练习中的运用
13.
“Change” or “Not Change” in the Development and Change of the Tune of Operas--Huangmei opera as an example;
戏曲声腔在流变中的“改”与“不改”思辩——以黄梅戏为个案
14.
On the Use of Singing Method of Traditional Operas in the Teaching of Vocal Music;
声乐教学中借鉴戏曲演唱方法诸问题刍议
15.
A Study of the Relationship between Ancient Chinese and Indian Dramas;
梵声佛曲与汉辞华章——中印古典戏剧因缘
16.
The Value Orientation of the Traditional Opera in the Folk Vocality;
浅谈戏曲艺术在民族声乐中的价值定位
17.
To Absorb and Learn From the Cream of the Tune of the traditional Opera in the Singing Exercises Of National Vocal Music;
戏曲声腔艺术在民族声乐演唱训练中的吸收与借鉴
18.
The operating skill of the Chinese tradition drama to sing in the use of thenational operating vocal music;
浅谈中国传统戏曲演唱技巧在民族声乐演唱中的运用