1.
A GENERAL REVIEW OF FEMINISM AND FILM OF THE NEW HISTORICAL PERIOD;
“女性主义与新时期电影”研究述评
2.
Movie Censorship System in "the Burgeoning Movie Movement";
“新兴电影运动”时期的电影审查制度
3.
The Culture Research on the ShangHai Style Film of the ShangHai Film Stadio in the New Period;
新时期上影厂上海题材电影文化研究
4.
On Art of Film Influence on Writings by the New Period of Writers;
论电影艺术对新时期小说创作的影响
5.
Thoughts on Cultural Connotation of Film Symbols from the Perspective of Chinese Film in the New Era
从新时期中国电影看电影符号的文化内蕴
6.
Talk about the Nationalization Drive of the Chinese Film Since New Period;
论新时期以来中国电影的民族化追求
7.
Talk about the Modernization Drive of the Chinese Film Since New Period;
论新时期以来中国电影的现代性追求
8.
The Research on the Global Competition of Chinese Film Since the New Period;
新时期以来中国电影国际竞争力研究
9.
Duration and Presentation: The Film Music during New Period of Time
绵延与显现：新时期以来电影音乐研究
10.
Contemporary Chinese Countrified Kids Film;
新时期中国农村题材儿童电影发展研究
11.
Research on Chinese On-The-Spot Report Style Movie s Development and Changes Since 1980s;
论中国新时期以来纪实风格电影的发展流变
12.
The Low Class Images in Movies Since the New Period and the Problems of Realism;
新时期以来电影中的底层形象与现实主义问题
13.
The Transform and Development of Film Literature Creation since New Age;
论新时期以来电影文学创作的流变与拓展
14.
Mirror Image and Phantom:The Subjectivity Imagination of Female Movies in a New Period;
镜像与幻像:新时期女性电影的主体想象
15.
A Brief Talk of Impact of Electronic Document on Archives Work;
浅谈新时期电子文件对档案工作的影响
16.
Woman-Wife-Mother: Typical Display of Xie jin s Films in the New Period;
女人—妻子—母亲:新时期谢晋电影的经典表述
17.
On the Trends of Film Production in the Last Two Decades on the Important Revolutionary-historical Events;
新时期重大革命历史题材电影创作潮流论析
18.
The Spatiality and Subjectivity in Xie Jin' s Film Melodrama of the New Period
新时期谢晋通俗剧电影中的空间性与主体性