1.
On Mencius Methool of Cultivating Moral Character Realizing Nature Through Mental Construction;
论孟子以心证性的修养方法——兼解“养浩然之气”
2.
The Nature of the Era Spirit of “Cultivating Awe-inspiring Spirit”By Mencius;
孟子养“浩然之气”的时代精神底蕴
3.
MENG Hao-ran, a Hermit, and the Special "Feature" Reflected in his Poems
盛世之隐与孟浩然诗的独特“气象”
4.
The Formation of Menciuss Noble Spirit and Effect for Menciuss Style;
孟子浩然之气的生成及对《孟子》气势的影响
5.
"Noble Spirit" and Morals of "Real-man": the "Yong Thought "of Mencius
“浩然之气”与“大丈夫”之德——孟子“勇”思想探析
6.
Benevolent Government · Born Good · Noble Spirit --A Re-cognition of Mencius Spiritual World;
仁政·性善·浩然之气——孟子精神世界的再认识
7.
Must Believe the Old Man Doesnt’ Die, till Now He Has Awe- inspiring Right Eowsness! Noble Spirits in Jiaxuans Words;
须信此翁未死 到如今凛然生气——浅析稼轩词的浩然之气
8.
About the Different Moods of the Landscape Poems of Wangwei and Meng Haoran;
静幽有禅趣之境 冲淡有壮逸之气——论王维、孟浩然山水诗意境之不同
9.
Seeing Meng Haoran Off at Yellow Crane Tower
黄鹤楼送孟浩然之广陵
10.
On the Heroic and Generous in Simple and Tasteful Writing of Meng Haoran s Poetry;
孟浩然诗“冲淡中有壮逸之气”探微──以诗人情怀为核心
11.
Integrity: The Imagery Variations and Aesthetic Identification in the Media Genealogy of the Peach Blossom Fan
浩然之气：《桃花扇》的媒介谱系、意象变奏与审美认同
12.
Evading to aesthetics--MENG Hao-ran s reclusion and its cultural significance;
遁归审美——孟浩然之隐逸及其文化意义
13.
Aesthetic Perspective on Meng Haoran and Tao Yuanming's Idyllic Poems: Comparison
孟浩然陶渊明田园诗审美视角之比较
14.
From the image in the meaning to the mood associated with meaning:to appreciate mooring on the river at jiande of Meng Haoran;
从意中之象到意中之境——孟浩然《宿建德江》解读
15.
A Little Awe-inspiring Righteousness as the Eternal Satisfactory Common Practice(Ⅱ)-On Su Shis Political Thought;
一点浩然气 千古快哉风(下)——兼论苏轼的政治思想
16.
A Little Awe-inspiring Righteousness as the Eternal Satisfactory Common Practiced) - On Su Shi s Political Thought;
一点浩然气 千古快哉风(上)——兼论苏轼的政治思想
17.
The Discourse Analysis of the English Versions of Farewell to Meng Haoran;
《送孟浩然之广陵》一诗英译文的语篇功能分析
18.
Tao Yuan-ming s Role in Tang Dynasty and His Relationship with Wang Wei and Meng Hao-ran;
陶渊明在唐代的地位及其与王维、孟浩然之关系