1.
A ORGANIC FUSION OF MODERN AND CLASSIC──Comprehension and Analysis to Stravinsky s music;
现代与古典的有机融合──斯特拉文斯基音乐的感悟与分析
2.
Understanding on the Significance of the Aesthetic Thought of "Poetics of Music" of Stravinsky;
斯特拉文斯基《音乐诗学》的思想意义
3.
Understanding on the Background Thought of Poetique Musicale of Stravinsky;
斯特拉文斯基《音乐诗学》的思想背景
4.
The Aesthetic Thoughts in Poetique Musical by Igor Stravinsky;
斯特拉文斯基《音乐诗学》的音乐美学思想
5.
Stravinsky-102Composer of 20th Century Music of the West;
20世纪西方音乐与作曲家斯特拉文斯基
6.
My Understanding of the Ideological Background of Poetique Musicale of Stravinsky;
浅析斯特拉文斯基《音乐诗学》的思想背景
7.
A Mirror of the Musical Development in 20th Century --For the Legendary Life of Stravinsky;
20世纪音乐发展的一面镜子——记斯特拉文斯基传奇的一生
8.
Stravinsky's music was always changing.
斯特拉文斯基的乐曲风格是不断变化的。
9.
On Negative Spirit in Adorno′s Musical Sociology;
简论阿多尔诺音乐社会学的否定精神——从阿多尔诺对勋伯格和斯特拉文斯基的评论谈起
10.
The structure control principle in the Russian Dances of Petrushka by Stravinsky;
斯特拉文斯基《俄罗斯舞》结构控制原则
11.
Petersburg, but his greatest musical influence was his teacher, Nikolay Rimsky-Korsakov.
史特拉汶斯基带到民俗音乐中多采多姿、以置信的管弦乐编曲很明显地是师承基姆斯基?
12.
The Function of the Construction Force of Pitch and Rhythm in Stravinsky s Three Pieces for String Quartet;
斯特拉文斯基《四重奏小品三首》中节奏和音高的结构力作用
13.
the music of Brahms.
勃拉姆斯的音乐作品。
14.
To Discuss the Music Style and Characteristic of Brahms from the Piano Pieces Op.118;
从勃拉姆斯钢琴小品Op.118看其音乐风格与特征
15.
On the Aesthetic Idiosyncrasy & Artistic Thought of Brahms Piano Music;
勃拉姆斯钢琴音乐的美感特质及艺术思维
16.
John Scott B Mus
约翰·斯科特音乐学士.
17.
Analysis of and Comments on the Creative Technique and Artistic Characteristics of “Sacrifice to Spring”;
斯特拉文斯基《春之祭》的创新手法与艺术特色
18.
The Mingling of Blues with Afro-American Literature: Blues and Ralph Allison’s Literary Creation;
布鲁斯音乐与黑人文学的水乳交融——论布鲁斯音乐与拉尔夫·埃利森的文学创作