1.
Studies on the Evolution of Nasal Rhythm End and Consonant Rhythm End of Modern Age Chinese;
近代汉语阳声韵尾和入声韵尾的演变研究
2.
A Study of -n and -η Rhymes in Wu Dialect during the Song and Yuan Dynasties;
从宋元时期用韵材料看吴语中的-n、-η韵尾相押
3.
On the Feature of Tone Quality of Plosive Endings of Rhymes duo(铎) and yao(药) in the Qiyin Lue(七音略);
论《七音略》铎药两韵塞音韵尾的音质特征
4.
The Pronunciation Types of the Endings of the Middle Chinese Yangsheng Rhyme in Modern Chinese Dialects
中古阳声韵韵尾在现代汉语方言中的读音类型
5.
Baotou Nasal Variation: A Re-investigation after 15 Years;
包头鼻韵尾变异：15年后的再调查
6.
A Comparative Study of the Chinese and Japanese Pronunciations of Chinese Characters Ending with the Sound "i;
汉语中i韵尾字的汉、日读音对比研究
7.
Palatal Codas of Chinese Loan Words in Vietnamese and of Middle Chinese
汉越语与中古汉语的舌面音韵尾比较
8.
On Some Special Nasalizations or Velar Nasals of Xuzhou Dialect;
试析徐州方言中特殊的鼻化韵字和后鼻音韵尾字
9.
A Geographical Study of the Finals with Consonants as [-m]/[-p] to the Vocabulary in Xian/Shen Rime Groups in Chenghai Dialect;
澄海方言咸深二摄闭口韵尾的地理分布研究
10.
The Historical Development of the Nasal and Glottal Stop of the Dialects of Min and Dongtai;
闽语侗台语鼻音及塞音韵尾的历史发展
11.
The pronunciation of -ng the ending Chinese Characters in Japanese;
读后鼻辅音韵尾的汉字在日语中的音读
12.
Dialects Geography and Typology Research on the Nasal Endings "-n" & "-η" in Min Dialect in East Guangdong Province
粤东闽语-n、-η韵尾的方言地理类型研究
13.
Types and Evolution of the Tail Consonants of the Entering Tone of the Southern Dialects in Chinese
汉语南方方言入声韵尾的类型及其演变
14.
The prosody of Beowulf is based on alliteration, not end rhymes.
《贝奥武甫》的诗体采用头韵而不用尾韵。
15.
An Analysis on Rhyme,Alliteration and Homophone in Phonetic Rhetoric between Chinese and English;
浅析尾韵、头韵、谐音在英汉语音修辞方面的作用
16.
The Surce of -n,-η in Sichuan, Hejiang Dialect;
四川合江话韵母-n、-η尾的来源
17.
Alliteration occurs when the initial sounds of a word, beginning either with a consonant or a vowel, are repeated in close succession.
小窗，我不知你说的起韵是不是指头韵，如果是的话，应该和尾音无关。。
18.
Classical Chinese poetries, which strive to have harmonious tonal patterns, cadences/ intonations and neat antithesis, has endrhyme, double-tone, vowel-rhyme etc.
中国的诗词力求平仄协调、扬顿挫、仗工整，有尾韵、声、韵等。